With a full Hollywood background and settings but more an expose of scandal-and-gossip magazines of the era, has-been actor John Blakeford agrees to write his memoirs for magazine-publisher... See full summary »
Joe Dante directs this story of the glamour, the glitter, the magical allure of Hollywood... and not a speck of it rubs off on Miracle Pictures, where "If it's a good picture, it's a ... See full summary »
Texas Ranger Dusty Rivers ("Isn't that a contradiction in terms?", another character asks him) travels to Canada in the 1880s in search of Jacques Corbeau, who is wanted for murder. He ... See full summary »
Cecil B. DeMille
Beau, John, and Digby Geste are three inseparable, adventurous brothers who haven been adopted into the wealthy household of Lady Brandon. When money in the uppercrust household grows tight... See full summary »
Young freewheeling wanderer Jerry Day and his beautiful wife Toni are at odds over their lifestyle. Jerry can't accept responsibility but Toni yearns for a family and a settled life. Then ... See full summary »
Because his finances are low and he is seeking background for a new book, author Tony Barratt and his wife Dora return to his country home in Conneecticut. While he is finding a theme for ... See full summary »
With a full Hollywood background and settings but more an expose of scandal-and-gossip magazines of the era, has-been actor John Blakeford agrees to write his memoirs for magazine-publisher Jordan Winston. When Blakeford's daughter, Patricia, ask him to desist for the sake of his ex-wife, Carlotta Blakeford, he attempts to break his contract with Winston. Written by
Les Adams <email@example.com>
One of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. See more »
Florey's original cut ran 83 minutes, which I'll agree was too long to hold audience interest in a central story that, although strongly plotted, was weighed down with an inconsequential subsidiary romance featuring an overly verbose and mindlessly self-centered young hero. The shears were desperately needed, but instead of taking them to the youthful egotist, the main story was trimmed instead, throwing the whole movie way off balance. This was bad enough. But worse still was the fact that the repulsive know-it-all who delivers every single line of his wearisome dialogue with such over-the-top enthusiasm, was enacted by the overbearing Robert Cummings, whose non-stop self-adulation even manages to shade his beautiful co-star, Marsha Hunt. Florey's direction was slack in this respect, but fortunately, John Halliday and a fascinating line-up of support players, including Frieda Inescort, Maurice Costello and Gary Cooper, do their utmost to re-focus audience attention. They are helped immeasurably by the superb cinematography of Karl Struss. The Hollywood street scenes and other location cameos like the series introducing Marsha Hunt holding flowers are often breath-taking.
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