Wealthy Samuel Fulton is getting older and has no family of his own. He decides to leave his estate to the family of his first love, who turned down his marriage proposal years ago because ... See full summary »
Jenny Marsh, still dangerously attractive after 5 years in prison for killing a man in defense of her shady lover Harry, clashes at first with parole officer Griff Marat, who's determined ... See full summary »
Bohemia in the 19th century, stage-coach driver Hans, loves the mayor's daughter Marie, but she is promised Wenzel, the son of another wealthy farmer. Marie refuses to marry Wenzel because ... See full summary »
A young American violinist is betting with his European organisor that he will marry the tenth girl he meets the next day within 2 months. If he fails, he looses his Stradivari, if he wins ... See full summary »
Single parents Jean Bowen and Brad Stubbs meet at the train station when they send their kids (his 2 girls, her 2 boys) off to camp. Love inevitably blooms. But there are complications: ... See full summary »
The naive Evelyn Warren, elected shool-teacher of the year by Time Magazine, goes to Las Vegas, where she loses a lot of money. In order to pay her debts, casino-manager Matt Braddock asks ... See full summary »
Aspiring singer Susanne takes over for ham actor Viktor at a small cabaret in Berlin where he works a woman impersonator and per chance she's discovered by an agent, who thinks, that she ... See full summary »
Saw this film last night at the Cinematheque Francaise in Paris, in the course of the Douglas Sirk "integrale" (complete retrospective). Sirk himself calls this film "Viennese pastry," and adds that, after the heaviness of "Schlussakkord" he felt the need of something light. Light it is, but also marvelously inventive. I was reminded of Ophuls's film of "The Bartered Bride," not only in that the two principals in both films are singers and very appealing, but, too, that Sirk, like Ophuls, tells his tale in a deliciously opulent way. The screen seems to be constantly filled with new and beautiful detail, the camera usually in swinging, swirling motion. A very baroque film.
Marta Eggerth, later well known to American audiences for her appearances in operetta with her husband tenor Jan Kiepura, has the appeal of a European Jeanette MacDonald, and her co-star, Johannes Heesters, is wonderfully handsome, with a winning (and almost ever-present) smile. Charming film, very entertaining, and worth seeing for the mise-en-scene alone.
7 of 7 people found this review helpful.
Was this review helpful to you?