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The Green Pastures (1936)

Approved | | Drama | 1 August 1936 (USA)
God, heaven, and several Old Testament stories, including the Creation and Noah's Ark, are described supposedly using the perspective of rural, black Americans.

Writers:

(suggested by: Southern Sketches "Ol' Man Adam and His Chillun'"), (a fable by)
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Cast

Cast overview, first billed only:
...
Oscar Polk ...
...
Noah (as Eddie Anderson)
Frank H. Wilson ...
Moses (as Frank Wilson)
George Reed ...
Mr. Deshee
Abraham Gleaves ...
Archangel
Myrtle Anderson ...
Eve
Al Stokes ...
Edna Mae Harris ...
Zeba (as Edna M. Harris)
James Fuller ...
Cain the Sixth
George Randol ...
High Priest
Ida Forsyne ...
Ray Martin ...
Charles Andrews ...
Flatfoot (as Chas. Andrews)
...
Ham
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Storyline

God, heaven, and several Old Testament stories, including the Creation and Noah's Ark, are described supposedly using the perspective of rural, black Americans.

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

1 August 1936 (USA)  »

Also Known As:

Auf grüner Aue  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Recreated on the radio show "Cavalcade of America" in 1940 and 1941, with Juano Hernandez as De Lawd. See more »

Goofs

One of Noah's son's rides a zebra that is clearly a donkey or mule made to look like a zebra. Two real zebras are loaded while he rides the fake. See more »

Quotes

Gabriel: Gangway for the lord god, Jehovah!
See more »


Soundtracks

Hallelujah, King Jesus!
(uncredited)
Traditional spiritual
Performed by the Hall Johnson Choir
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User Reviews

 
A movie (not only) children should see as part of their education
26 February 2002 | by (The Hague, The Netherlands) – See all my reviews

It seems almost incredible that this film was made in 1936, when the almost invariable tendency in Hollywood was to portray negroes as (perhaps) lovable, but mostly inept, submissive, rather primitive creatures, good for a laugh and musical entertainment but for not much else. Here we see, in primitive guise but with great delicacy, feeling, seriousness and depth (even the difficult theological problem of the doubting God is touched on towards the end) the events of the New Testament as seen through the eyes of negro believers. This is one of the very few movies I have insisted on that my children see as part of their education, and this should apply to many grownups too.


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