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The Great Ziegfeld (1936)

6.9
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Ratings: 6.9/10 from 4,114 users  
Reviews: 56 user | 34 critic

This biography follows the ups and downs of Florenz Ziegfeld, famed producer of extravagant stage revues.

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Title: The Great Ziegfeld (1936)

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Won 3 Oscars. Another 1 win & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
Jack Billings
...
Fannie Brice (as Fannie Brice)
...
Audrey Dane
...
Sampston
...
Ray Bolger
Ernest Cossart ...
Sidney
Joseph Cawthorn ...
Dr. Ziegfeld (as Joseph Cawthorne)
...
Sandow
Harriet Hoctor ...
Herself
Jean Chatburn ...
Mary Lou
Paul Irving ...
Erlanger
Herman Bing ...
Costumer
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Storyline

At the 1893 Chicago World's Fair, sideshow barker Flo Ziegfeld turns the tables on his more successful neighbor Billings, and steals his girlfriend to boot. This pattern is repeated throughout their lives, as Ziegfeld makes and loses many fortunes putting on ever bigger, more spectacular shows (sections of which appear in the film). French revue star Anna Held becomes his first wife, but it's not easy being married to the man who "glorified the American girl." Late in life, now married to Billie Burke, he seems to be all washed up, but... Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Plot Synopsis

Taglines:

10 Big Shows In 1 See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

8 April 1936 (USA)  »

Also Known As:

El gran Ziegfeld  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (roadshow)

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Pat Nixon (then Patricia Ryan), the future wife of Richard Nixon and the First Lady of the United States from 1969 to 1974, makes an uncredited appearance as a Ziegfeld girl. See more »

Goofs

In the "Rhapsody in Blue" portion of the mammoth "Pretty Girl" number, one of the silver-fringe-and-antlers quartet of dancers gets visibly disoriented when her group does its final moves. She's the second one from the left, and her movements are completely out of sync with the other three until, with a thump, she sits down on the stairs. Since the incredibly complex number was shot in very long takes, the error was allowed to remain in the film. See more »

Quotes

Anna Held: [on the phone with Ziegfeld after learning of his marriage to Billie Burke] Hello, Flo... Yes. Here's Anna... I'm so happy for you today, I could not help calling you and congratulate you... Wonderful, Flo! Never better in my whole life!... I'm so excited about my new plans! I'm going to Paris... Yes, for a few weeks, and then I can get back, and then I'm doing a new show, and... Oh, it's all so wonderful! I'm so happy!... Yes... And I hope you are happy, too... Yes?... Oh, I'm so glad for you, ...
[...]
See more »

Crazy Credits

The opening credits display the title of the film and the names of the stars in marquee lights, as they would be on Broadway. See more »


Soundtracks

After the Ball
(1892) (uncredited)
Written by Charles Harris
Played at the 1893 Chicago World's Fair
Sung a bit in a montage
See more »

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User Reviews

 
Jeez Luise
17 December 2002 | by See all my reviews

Before anybody goes on for one minute more about how brilliant Luise Rainer is as Anna Held, let's remember that she took the Oscar from Garbo's Camille. I mean, come on. Rainer is pretty and her instincts are right, and her famous "telephone scene" expertly employs the old smiling-through-tears device. But it's hardly as challenging a role as Marguerite, and Rainer's undeniable Continental charm can go only so far.

The movie itself is a corker. William Anthony McGuire's screenplay is far above average for this musical-biography genre; it's full of smart wisecracks, and while it heavily fictionalizes Ziegfeld's life and persona (it makes him much more suave and irresistible than he was), it gets the big things right: his invention of the big musical revue, his obsession with glorifying the American girl, his unparalleled showmanship and eye for talent.

Speaking of talent, you get a full, uninterrupted, great Ray Bolger number, several clever and lavish production numbers, and a snippet of Fanny Brice (but cutting away from her "My Man" is unforgivable). The actors playing Eddie Cantor and Will Rogers are amusingly terrible. And Virginia Bruce is memorably nasty as a temperamental showgirl.

The Academy named this Best Picture of 1936. And you know, it probably was.


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