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Great Guy (1936)

Approved  |   |  Crime, Drama, Film-Noir  |  December 1936 (USA)
6.3
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Ratings: 6.3/10 from 631 users  
Reviews: 26 user | 3 critic

The adventures of an investigator (Cagney) for the Bureau of Weights and Measures.

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(story), (screenplay), 2 more credits »
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Title: Great Guy (1936)

Great Guy (1936) on IMDb 6.3/10

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Cast

Complete credited cast:
...
...
Janet Henry
James Burke ...
Patrick James Aloysius 'Pat' Haley
Edward Brophy ...
Pete Reilly
Henry Kolker ...
Abel Canning
Bernadene Hayes ...
Hazel Scott
Edward McNamara ...
Capt. Pat Hanlon
Robert Gleckler ...
Marty Cavanaugh
Joe Sawyer ...
Joe Burton
Edward Gargan ...
Henchman Al
Matty Fain ...
Henchman Tim
Mary Gordon ...
Mrs. Ogilvie
Wallis Clark ...
Joel Green
Douglas Wood ...
Mayor
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Storyline

It's the New York Department of Weights and Measures vs. a systematic effort to cheat the public by giving them less product than they pay for...organized by crooked city alderman Marty Cavanaugh, who put the last chief deputy inspector in the hospital. The new man, pugnacious Johnny Cave, steps on the toes of influential merchants and gets increasing pressure, both political and strong-arm, to desist. Will the luck (if not the pluck) of the Irish pull him through? Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

December 1936 (USA)  »

Also Known As:

El gran tipo  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (Ontario)

Sound Mix:

(RCA High Fidelity Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

When James Cagney swung at Joe Sawyer in the party scene, Sawyer jerked back his head, which hit actor Jack Perry , who was one of the party guests, and broke his nose. See more »

Quotes

Johnny 'Red' Cave: I'll see you in jail, bread-snatcher!
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User Reviews

Johnny Cave: Crime Buster
1 July 2008 | by (Kissimmee, Florida) – See all my reviews

GREAT GUY (Grand National, 1936), directed by John G. Blystone, is an interesting yet plausible low budget production starring none-other than James Cagney, the same James Cagney of the higher quality studio of Warner Brothers. What's a top actor like James Cagney doing over at Grand National instead of at the majors as MGM, Columbia, United Artists or even Paramount? Well, it had something to do with a contract dispute, which kept him away from his home lot for nearly two years. Since Grand National, not First National, initially began in early 1936, how fortunate for the studio to have acquired a top name like Cagney working for them? How unfortunate for the studio to have lost his services following his second with the studio, a musical titled SOMETHING TO SING ABOUT (1937). How fortunate to have Cagney return to his home studio where he truly belonged, and continue to work on films that were to become classics. As for those done at Grand National .... well, let's take a look at his initial offering of THE GREAT GUY. It's not a gangster film idolizing a popular crime boss but actually a crime story placing Cagney on the right side of the law attempting to rid corruption. Having done something similar the year before in G-MEN, the misfortune for GREAT GUY is not having much gun play nor fast-pace action to make this equivalent to a Warner Brothers production.

The story opens with Joel Green (Wallis Clark), chief deputy of the Bureau of Weights and Measures, injured in a car crash, now in a hospital. Knowing the accident was a set up, Green calls for his friend, Johnny Cave (James Cagney), a former prizefighter working with the department of Weights and Measures, and assigns him in his place to acquire enough evidence on the corrupt district leader Marty Cavanaugh (Robert Gleckler). With the assistance of fellow Irishman Pat Haley, whom he calls Aloyisus (James Burke), Johnny teaches him the tricks of the trade of chiselers at the Paradise Market defrauding shoppers by exposing eights on chickens, putting false bottoms in baskets of strawberries, and cheating drivers of their gallons of gas. As for his love life, Johnny is engaged to Janet Henry (Mae Clarke), secretary to city official Abel Canning (Henry Kolker). Janet loves Johnny but finds him too conceited and quick tempered, but overall honest. Refusing to accept bribes even from the city Mayor (Douglas Wood), Johnny later has his work cut out for him by being abducted by hired thugs who frame him on a drunk and driving charge unless he gives up his investigation to expose the gang leader responsible for corruption.

The supporting cast includes Edward Brophy (Pete Reilly); Bernadene Hayes (Hazel Scott); and Edward McNamara as Captain Pat Hanlon, whose great scene has him standing outside the door smoking his cigar while his pal Johnny takes care of the ring leader. The big surprise in GREAT GUY is the casting of James Burke, better known for playing cops, playing the dopey sidekick in the El Brendel tradition, sporting an Irish derelict compared to Brendel's Swedish one. This was one of the few opportunities seeing Burke in a sizable part typically suited for the likes of an Allen Jenkins or Frank McHugh.

With all the ingredients of a Warner Brothers programmer, down to Joseph Sawyer (a Warners stock player) as one of the mobsters, what GREAT GUY lacks is polish and production values. Overall, GREAT GUY turns out to be a reunion of sorts between Cagney and Mae Clarke, his grapefruit victim from THE PUBLIC ENEMY (1931), and co-star of LADY KILLER (1933) the one where he dragged her across the room by the hair. This time they are on friendly terms, as an engaged couple who gather together for lunch in a cafeteria and, with a touch of humor, talking things over at a furniture store with a salesman (Arthur Hoyt) trying to interest them with the display.

Virtually unknown even by film buffs, GREAT GUY is one film in Cagney's filmography list that doesn't get a mention in his 1977 autobiography, "Cagney by Cagney," though his second Grand National starer did. Not until the age of video recording of the 1980s or late in the 1970s on commercial television has GREAT GUY been given some exposure. Circulating prints from 1980 and over suffer from being ten minutes shorter than its actual 75 minute release. Abrupt cuts are noticeable, especially one scene involving Mary Gordon as Mrs. Ogilvie and the corruption involving milk deliveries at the orphanage, found in current video, DVD and public TV late show broadcasts. While a complete version with clearer picture quality won't change GREAT GUY from its low-budget status in the Monogram Studios tradition to a Class "A" Warners production, but restoration will make a big difference on how to view this one, especially with the great guy himself, James Cagney. (***)


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