6.0/10
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40 user 22 critic

The Garden of Allah (1936)

Approved | | Adventure, Drama, Romance | 19 November 1936 (USA)
The star-crossed desert romance of a cloistered woman and a renegade monk.

Writers:

(novel), (screenplay) | 1 more credit »
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Nominated for 2 Oscars. Another 1 win. See more awards »
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Cast

Complete credited cast:
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Sand Diviner
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Mother Superior Josephine
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Storyline

Domini, an heiress who has led a cloistered life, visits the North African desert for spiritual renewal. There she meets Boris, recently escaped from a Trappist monastery. Their friendship ripens into love, but he conceals his past from her. Then in a remote oasis, they meet a man who knows his secret. Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Plot Keywords:

desert | monk | monastery | secret | oasis | See All (42) »

Taglines:

They loved each other with the fierceness of those who have been denied love! See more »


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

19 November 1936 (USA)  »

Also Known As:

Der Garten Allahs  »

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Box Office

Budget:

$2,200,000 (estimated)
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(RCA Victor High Fidelity System)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

One of the young girls doing needlepoint, in the first scene at the convent, is Marlene Dietrich's daughter, Maria Riva. See more »

Goofs

As the abbot and the major are walking down the hall, the shadow of the boom microphone keeps pace with them on the lower left. See more »

Quotes

Father Roubier: Take care! You've come to a land of fire. And I think you are made of fire.
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Connections

Featured in Cyndi Lauper: Time After Time (1984) See more »

Soundtracks

The Wedding March
(1843) (uncredited)
from "A Midsummer Night's Dream, Op.61"
Music by Felix Mendelssohn-Bartholdy
Played as background music after the wedding
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User Reviews

 
Dietrich and Boyer in Technicolor heaven...
3 October 2006 | by See all my reviews

Early Technicolor, subdued and with shadows playing over the wide stretches of sand and silk (Dietrich's wide array of costumes), is the real star of this desert opus that should fascinate any student of cinematography interested in exploring David O. Selznick's use of color a few years before GONE WITH THE WIND.

MARLENE DIETRICH strikes some awesome poses and looks stunning in all of her close-ups and CHARLES BOYER is a suitably romantic figure as he copes with a secret unknown to her--he's a man hiding his past as a monk. She's searching for true love after a girlhood devoted to her sick father and Boyer seems to be the living embodiment of her ideal.

It's all so unreal and yet it's hard to turn away from the gorgeous colors and not be drawn into the story. When things get too dull, there's always Basil Rathbone, Joseph Schildkraut and C. Aubrey Smith in the supporting cast to bring some added color to the tale.

It's Technicolor heaven for Dietrich's fans and to top it all there's a nice Max Steiner score in the background. None of it can be taken seriously but it has its compensations from a visual standpoint.


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