IMDb > Fährmann Maria (1936)

Fährmann Maria (1936) More at IMDbPro »


Overview

User Rating:
7.0/10   34 votes
MOVIEmeter: ?
Down 52% in popularity this week. See why on IMDbPro.
Director:
Writers:
Hans Jürgen Nierentz (writer)
Frank Wisbar (screenplay)
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Contact:
View company contact information for Fährmann Maria on IMDbPro.
Release Date:
23 December 1938 (USA) more
Plot:
Maria, a daughter of a ferryman takes over the job after her father's death, and one night gives a ride to a wounded man... more | add synopsis
Plot Keywords:
User Comments:
Interesting tale in style of Dreyer's Vampyr more (2 total)

Cast

  (Credited cast)
Sybille Schmitz ... Maria
Aribert Mog ... The Young Man
Carl de Vogt ... The Minstrel
Peter Voß ... The Man in Black (Death)
Gerhard Bienert ... The Wealthy Landowner
Eduard Wenck ... Mayor Hegemann
Karl Platen ... The Old Ferryman
rest of cast listed alphabetically:
Ernst Stimmel ... Dorfschullehrer
Mimi Thoma ... Singer (Heidelied)
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Additional Details

Also Known As:
Death and the Maiden (USA) (informal title)
Ferryman Maria (International: English title) (literal title)
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Runtime:
85 min
Country:
Language:
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Mono (Tobis Klangfilm)
Company:

Fun Stuff

Movie Connections:
Remade as Strangler of the Swamp (1946) more

FAQ

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4 out of 4 people found the following comment useful.
Interesting tale in style of Dreyer's Vampyr, 4 October 1999
7/10
Author: mgmax from Chicago

A woman takes over the job of ferryman on a river, and saves her lover's life by sacrificing her own to drown Death when he comes for the lover. Of interest, though not quite as good as its minor cult reputation suggests (mainly due, at least in English-speaking countries, to William K. Everson writing about Wisbar's sort-of B movie remake of it, Strangler of the Swamp). There's nothing Hollywoodish about the original, which has the stark (and slightly ponderous) simplicity of a folk tale, and the same kind of unblinkingly realistic approach to supernatural events that Carl Dreyer's Vampyr (also starring Schmitz) takes. Wisbar is not Dreyer's equal, and as a last gasp of German Expressionism the production seems much less elaborate than that of pre-Nazi-era films; but there are certainly effective moments and an impressive overall atmosphere of peasant fatalism.

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