British hunter Thorndike vacationing in Bavaria has Hitler in his gun sight. He is captured, beaten, left for dead, and escapes back to London where he is hounded by German agents and aided by a young woman.
An American businessman's family convinces him to buy a Scottish castle and disassemble it to ship it to America brick by brick, where it will be put it back together. The castle though is ... See full summary »
After another cardiac arrest, Armand knows he doesn't have long to live. But after more than 70 years in the same house, he doesn't want to die anywhere else. His wife, Rose, has secretly ... See full summary »
Jean Pierre Lefebvre
J. Léo Gagnon,
Catherine, a concert pianist, is surprised one night by the arrival of her best friend from childhood, Marie-Alexandrine (Max), whom she hasn't seen for 25 years. Catherine and Max were ... See full summary »
Based on the story "Mob Rule" by Norman Krasna. Joe Wilson and Katherine Grant are in love, but he doesn't have enough money for them to get married. So Katherine moves across the country to make money. But things go disastrously wrong for Joe when he stops in a small town and is mistaken for a wanted murderer. Through the course of the movie, Fritz Lang shows us how a decent and once civilized man can become a ruthless and bitter man. Written by
Andre'a M. Thompson <firstname.lastname@example.org>
According to modern sources, Fritz Lang was the first filmmaker to use newsreel footage as a courtroom device in a motion picture, and may have done so before it was used in an actual court case. See more »
At end of movie when Spencer Tracy is standing in front of judge, the wide shot shows nothing above his head but when he shares the shot with Sylvia Sydney the boom mic is shown just above their heads. See more »
If those people die, Joe Wilson dies too; you know that, don't you? Wherever you go, whatever you do.
See more »
A mob of All-American peasants are out to burn Spencer Tracy at the stake (and his little dog too)
A compelling "message picture" with good performances from both Sylvia Sidney and Spencer Tracy and deft direction from Fritz Lang. 'Fury' is tautly dramatic and not without lessons for a modern audience, but it still falls just a little short of masterpiece status.
This was Lang's first American film, the studios were presumably in fierce competition to sign him to a contract and seems clear that MGM was quite proud of itself and thought they could safely fit the Austrian master into their mold while also revisiting some of his past successes. 'Fury' is by no means a remake of 'M' but it does share some key themes. However, the style is a marked departure from the director's German work and the Hollywood treatment keeps this film from being as compelling as its older brother.
Hailing from the Midwest as I do, the Hooterville Junction take on small-town America rankled with me a bit. Gossipy housewives and self-important businessmen are played for laughs and then suddenly turn into a howling mob bent on the death of a man against whom the "evidence" is literally peanuts. It's a serious matter, as we're later reminded by the prosecutor's speech about the number of lynchings in America's then recent history, it should never have been treated lightly.
Do watch it though, and keep an eye out for a very familiar Cairn terrier. Also, early on when Joe and Katherine are looking at bedroom furniture there's a distinct chuckle at the expense of the Hays Code (which was enforced starting in '34).
11 of 14 people found this review helpful.
Was this review helpful to you?