An altruistic department-store owner hires ex-convicts in order to give them a second chance at life. Unfortunately, one of the convicts he hires recruits two of his fellow ex-convicts in a plan to rob the store.
Based on the story "Mob Rule" by Norman Krasna. Joe Wilson and Katherine Grant are in love, but he doesn't have enough money for them to get married. So Katherine moves across the country to make money. But things go disastrously wrong for Joe when he stops in a small town and is mistaken for a wanted murderer. Through the course of the movie, Fritz Lang shows us how a decent and once civilized man can become a ruthless and bitter man. Written by
Andre'a M. Thompson <firstname.lastname@example.org>
This film's initial telecast took place in Philadelphia Thursday 7 March 1957 on WFIL (Channel 6), followed by New Haven CT 18 March on WNHC (Channel 8), by Altoona 25 March 1957 on WFBG (Channel 10), by Minneapolis 18 April 1957 on KMGM (Channel 9), by Lebanon PA 9 May 1957 on WLBR (Channel 15), by Chicago 22 May 1957 on WBBM (Channel 2), by Seattle 23 May 1957 on KING (Channel 5), by Albuquerque 31 May 1957 on KOAT (Channel 7), by Portland OR 3 June 1957 on KGW (Channel 8), and by Miami 1 July 1957 on WCKT (Channel 7); it first aired in Los Angeles 13 April 1958 on KTTV (Channel 11), in New York City 8 June 1958 on WCBS (Channel 2), and in San Francisco 8 December 1958 on KGO (Channel 7). See more »
When the newsreel of the attempted lynching is run during the trial scene, the frame of the newsreel is frozen several times, in order to show the defendants as having taken part in the crime. But while the newsreel projector is supposed to have stopped, the ticking of the projector continues in the background, as if the film were still running. See more »
[after several witnesses had lied on the stand]
I wonder if I haven't been calling the defense witnesses by mistake.
See more »
Where we see how injustice always breeds more of the same.
Eighty years after its first release, this story of mob violence in USA is a savage indictment of the American system of mob "justice" from the 1880s to the 1960s. The fictional events of this movie, based upon a true incident, took place in the 1930s. Produced by Joseph L. Mankiewicz, directed by Fritz Lang, it stars Spencer Tracy and Sylvia Sidney in the key roles; with an excellent supporting cast, this is a story that stands the test of time.
I won't comment much on the plot and the story, both of which have been adequately addressed by the storyline on the main IMDb page, and a ton of detailed reviews here.
However, without Lang and Mankiewicz on this production, the dramatic irony would not, I think, have been as effectively portrayed - for two reasons. First, Lang coming from a Germany where Nazism was ascendant, knew all too well what injustice was all about and how people can prostitute their principles for what is perceived as justifiable retribution. Second, Mankiewicz was a highly experienced actor/producer/director who has shown, throughout his career, that injustice in all its forms must be shown for the evil it is. With such a combination at the reel wheel, this movie was guaranteed to be hard-hitting.
Lang's direction is very much on form, using lighting and shadow for full effect; using close up, quick editing in mob scenes; using the camera in extreme close up to ensure viewers note a particular item; and cross-cutting and inter-cutting scenes to heighten suspense. Not the first director to use those techniques, but Lang was a master at it.
For the most part, the script and dialog are excellent. My only critique centers upon the courtroom scenes and dialog which, by today's standards, are somewhat stagy; the repartee, between the prosecution and defense counsels, is particularly so, too often for this viewer. And the very last scene, seemingly preachy and even corny, which involves a long verbal exchange between the judge (Burton) and one of the main characters, can only be fully appreciated in the context of the times: a long history of lynching across the USA, an economy in the midst of a Great Depression and a nation on the cusp of another world war.
For Lang enthusiasts, Fury is a must see movie, despite the presence of a couple of handy coincidences, an improbable result with the use of dynamite and a glaring loose end - at the very end. Still, this is a movie that should be seen by all, and one I heartily recommend. Eight out of ten.
April 24, 2015
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