An architect travels to the remote city of Eschnapur to oversee some work being done at the bequest of the local Maharajah. Along the way the architect meets and falls in love with a ... See full summary »
Two women love the same man in a world of few prospects. In Budapest, Liliom is a "public figure," a rascal who's a carousel barker, loved by the experienced merry-go-round owner and by a ... See full summary »
Reporter Peter Barter gets murdered while driving to his tv station. Commisioner Kras gets a phone call from clairvoyant Cornelius who saw Barters death in a vision. But a dark force ... See full summary »
An altruistic department-store owner hires ex-convicts in order to give them a second chance at life. Unfortunately, one of the convicts he hires recruits two of his fellow ex-convicts in a plan to rob the store.
Based on the story "Mob Rule" by Norman Krasna. Joe Wilson and Katherine Grant are in love, but he doesn't have enough money for them to get married. So Katherine moves across the country to make money. But things go disastrously wrong for Joe when he stops in a small town and is mistaken for a wanted murderer. Through the course of the movie, Fritz Lang shows us how a decent and once civilized man can become a ruthless and bitter man. Written by
Andre'a M. Thompson <email@example.com>
Script was based upon the 1933 kidnapping and murder of Brooke Hart, the son of the owner of Hart's Department Store in San Jose, California. The two kidnapping suspects were pulled from jail by a group of vigilantes, who dragged them across the street to St. James Park and lynched both of them. See more »
At end of movie when Spencer Tracy is standing in front of judge, the wide shot shows nothing above his head but when he shares the shot with Sylvia Sydney the boom mic is shown just above their heads. See more »
If those people die, Joe Wilson dies too; you know that, don't you? Wherever you go, whatever you do.
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Lang's first American film is a visceral experience
An idealist sets out to visit his girlfriend, whom he hasn't seen for a year, but he is picked up by the cops for no real reason and thrown into a cell because a flimsy piece of evidence hints that he might be the kidnapper of a young woman. A rumor flares in the small town and soon most of the populace is standing outside the police office demanding retribution.
I won't outline the plot any further, because there are many twists and turns to come. Fury is basically a study in justice, guilt, revenge, and mindless fury. Spencer Tracy and Sylvia Sydney star and are exceptional. The supporting cast is excellent also. Lang's direction is often amazing. It is always stylistic, expressionistic and it challenges you every step of the way. Watch for one scene near the center of the film where Lang cuts together a series of close-ups. His timing is incredible here. The script is imperfect. In fact, there are a lot of instances of unbelievability and silliness in the film. It is a testament to the rest of the script (and the other aspects of the film, too) that Fury ends up being such a great film. I like it nearly as much as M. It may not be quite as good, but it moves at a brisker pace and is thus often more exciting and suspenseful. 9/10.
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