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Fury (1936)

 -  Crime | Drama | Film-Noir  -  29 May 1936 (USA)
7.9
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Ratings: 7.9/10 from 7,219 users  
Reviews: 59 user | 39 critic

When a wrongly accused prisoner barely survives a lynch mob attack and is presumed dead, he vindictively decides to frame the mob for his murder.

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(screen play), (screen play), 1 more credit »
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Title: Fury (1936)

Fury (1936) on IMDb 7.9/10

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Nominated for 1 Oscar. Another 5 wins. See more awards »

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Cast

Cast overview, first billed only:
...
Katherine Grant
...
Joe Wilson
...
District Attorney
...
Kirby Dawson
Edward Ellis ...
Sheriff
...
'Bugs' Meyers
...
Charlie
George Walcott ...
Tom
Arthur Stone ...
Durkin
Morgan Wallace ...
Fred Garrett
George Chandler ...
Milton Jackson
Roger Gray ...
Stranger
...
Vickery
Howard C. Hickman ...
Governor (as Howard Hickman)
Jonathan Hale ...
Defense Attorney
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Storyline

Based on the story "Mob Rule" by Norman Krasna. Joe Wilson and Katherine Grant are in love, but he doesn't have enough money for them to get married. So Katherine moves across the country to make money. But things go disastrously wrong for Joe when he stops in a small town and is mistaken for a wanted murderer. Through the course of the movie, Fritz Lang shows us how a decent and once civilized man can become a ruthless and bitter man. Written by Andre'a M. Thompson <athompso@ziggy.st.hmc.edu>

Plot Summary | Plot Synopsis

Taglines:

TWO LOVERS...VICTIMS OF MOB VIOLENCE! (original 1936 window card poster)


Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

29 May 1936 (USA)  »

Also Known As:

Mob Rule  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

(Turner library print)

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

This was Fritz Lang's first film in Hollywood and he wasn't accustomed to labor laws that require meal breaks. Shortly after filming began Lang took a quick lunch between set-ups and resumed filming. Some of the crew members wondering about their lunch break asked Spencer Tracy, who in turn pointed out to Lang that it was "1:30 pm and the crew had yet to take their break". Lang replied that it was his set and "that I will call lunch when I think it should be called". Tracy, knowing that it would take at least 90 minutes to set his make-up, subsequently took his hand across his face and smeared the make-up hopelessly, yelled "Lunch!" and promptly walked off the set with the crew. See more »

Goofs

When Joe is shown standing looking into a flower shop window imagining his future life without Kathleen he turns around but the next shot shows him standing in front of a haberdashery. See more »

Quotes

Joe Wilson: I am legally dead!
See more »

Connections

Featured in Hollywoodism: Jews, Movies and the American Dream (1998) See more »

Soundtracks

Popeye the Sheriff Man
(uncredited)
One line sung by one of the mob to the tune of "I'm Popeye the Sailor Man" (1933)
Words and Music by Samuel Lerner
See more »

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User Reviews

 
Tracy hits his stride
2 April 2004 | by (Buffalo, New York) – See all my reviews

In what was his fourth film on his new MGM contract Spencer Tracy finally broke through the ranks and became an A picture star. Tracy had been in Hollywood for six years five of them with Fox. Most of his work there was relegated to B picture second features. In this, the first American film by Fritz Lang, Tracy emerges with a powerhouse performance of a man who nearly destroys himself in a quest for vengeance against the mob that nearly kills him by setting a jail on fire where he's being held on a suspicion of kidnapping.

Remember that this was the 30s with news of the Lindbergh baby kidnapping trial fresh in the minds of the movie-going public. Probably the most hated man in America was Bruno Hauptman, the Lindbergh kidnapping suspect. That's a dimension that can hardly be appreciated by seeing the video today. But Lang's direction of the mob scenes still retains the power to frighten.

Sylvia Sydney registers well as Tracy's fiancé and Bruce Cabot stands out as the local town bully who whips up the mob in the first place against the innocent Tracy being held in the town jail.

In the first of many climactic monologues Tracy comes forward and redeems himself from the twisted personality his victimization by the town mob has left. The speech is simple, direct, profound; pure Spencer Tracy. And that's as good as it ever gets.


30 of 33 people found this review helpful.  Was this review helpful to you?

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