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Football player John Kent tags along as Huck Haines and the Wabash Indianians travel to an engagement in Paris, only to lose it immediately. John and company visit his aunt, owner of a posh... See full summary »
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Aviator and band leader Roger Bond is forever getting his group fired for flirting with the lady guests. When he falls for Brazilian beauty Belinha de Rezende it appears to be for real, ... See full summary »
Dolores del Rio,
After his wife discovers a telltale diamond bracelet, impresario Martin Cortland tries to show he's not chasing after showgirl Sheila Winthrop. Choreographer Robert Curtis gets caught in ... See full summary »
Lady Alyce Marshmorton must marry soon, and the staff of Tottney Castle have laid bets on who she'll choose, with young Albert wagering on "Mr. X." After Alyce goes to London to meet a beau... See full summary »
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William A. Seiter
When the fleet puts in at San Francisco, sailor Bake Baker tries to rekindle the flame with his old dancing partner, Sherry Martin, while Bake's buddy Bilge Smith romances Sherry's sister Connie. But it's not all smooth sailing: Bake has a habit of losing Sherry's jobs for her; and despite Connie's dreams, Bilge is not ready to settle down. Written by
Diana Hamilton <firstname.lastname@example.org>
The TCM library print contains a humorous closed-captioning error at the beginning of "Let's Face the Music and Dance". As Fred Astaire sings "There may be trouble ahead", the closed-captioning displays "There may be trauma ahead". See more »
Sherry tells me you're leaving. Well, that's probably the wisest thing to do. Run away! All this stuff about fighting for your man and all that makes things so complicated. Now, if all girls would just give up and run back to Bellport, then we'd definitely see the end of family life, little Junior would remain just an idea, and every man would burn his own toast. I thank you!
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This is one of the best Fred Astaire-Ginger Rogers films, or at least one of my favorites. Most of the A-R movies feature great dancing but sappy romance stories. This still has the courtship corniness but not as pronounced as the other films.
This movie features not just great dancing but likable characters and a bunch of good songs. The music is the central theme here and what's nice is the addition of a tap solo by Rogers. She not only was a super dancer but a very pretty woman and one with tremendous figure. She dances also with Fred, of course, and they're always a fun pair to watch on the dance floor.
Growing up in the 1950s watching "Ozzie & Harriet" on television, it was a real kick the first time I saw this to see such a young Harriet Hilliard. No surprise than Ozzie fell for this beauty. Although she had that short early '30s hairstyle, I recognized her voice right away. Also in this movie are quick appearances by Betty Grable and Lucille Ball, but I have to admit that I have yet to out Ball. I can't find her, but I know she's in here.
Astaire, except for some obnoxious gum-chewing in the first third of the film, was fun to watch and Randolph Scott - although better in westerns - is likable, too.
This is simply a nice, feel-good film and good one if you want to to enjoy the great talents of Astaire and Rogers.
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