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Follow the Fleet (1936)

Approved | | Comedy, Musical, Romance | 20 February 1936 (USA)
A Navy sailor tries to rekindle a romance with the woman he loves while on liberty in San Francisco.

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Writers:

(screen play), (screen play) | 1 more credit »
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2 nominations. See more awards »

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Cast

Complete credited cast:
...
...
Sherry Martin
...
...
Connie Martin
...
Mrs. Iris Manning
...
Singer in Trio
...
Captain Hickey
...
Jim Nolan
...
David Sullivan
Ray Mayer ...
Dopey Williams
...
Kitty Collins
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Storyline

When the fleet puts in at San Francisco, sailor Bake Baker tries to rekindle the flame with his old dancing partner, Sherry Martin, while Bake's buddy Bilge Smith romances Sherry's sister Connie. But it's not all smooth sailing: Bake has a habit of losing Sherry's jobs for her; and despite Connie's dreams, Bilge is not ready to settle down. Written by Diana Hamilton <hamilton@gl.umbc.edu>

Plot Summary | Add Synopsis

Taglines:

Fun Aboard! (1953 re-release) See more »


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

20 February 1936 (USA)  »

Also Known As:

Blekitna parada  »

Box Office

Budget:

$747,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (re-release)

Sound Mix:

(R C A Victor System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Arlene Croce's "The Fred Astaire and Ginger Rogers Book" reproduces a panel from director Mark Sandrich's "minutage" for this film. This was an elaborate color-coded chart detailing, minute by minute, what would be happening in the final film. Sandrich used charts like this to prepare for every musical he directed. See more »

Quotes

Bake Baker: I don't often try to apologize 'cause I seldom make any mistakes.
See more »

Connections

Referenced in Amarcord (1973) See more »

Soundtracks

I'm Putting All My Eggs in One Basket
(1936) (uncredited)
Written by Irving Berlin
Played during the opening credits
Also played on piano by Fred Astaire
Song and dance performed by Fred Astaire and Ginger Rogers
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User Reviews

Facing the music.
25 October 2004 | by (Washington, DC) – See all my reviews

This film is nice because there are two love stories-- something of a plot departure, and the second couple (Randolph Scott and Harriet Hilliard Nelson) are given the bulk of the dramatics, which allow our stars to be looser, more comical. Astaire chews the gum a little too severely, but he was anxious to make a departure from his customary tuxedoed playboy. Rogers is much more at ease in the role of struggling dancer-singer, and plays well opposite sister Hilliard. (The history is that Ms. Hilliard had to darken her naturally blond hair to distinguish her from Ms. Rogers. But wouldn't they better resemble sisters if they were both blonds?) The Irving Berlin numbers are quite good, ranging from light and airy ("Let Yourself Go," "I'd Rather Lead A Band") to elegant ("Let's Face The Music And Dance"). This final number is the film's bewitching finale, performed on a lovely Art-Deco rooftop and illustrates Astaire's penchant for full-frame, single-take dancing. It is, in a nutshell, singularly gorgeous. The trivia history goes that Rogers' metallic thread gown had weights in the sleeves and hem to make the skirt wind and unwind; the dress was unintentionally difficult to perform in because its flared sleeves hit Astaire across the face IN THE FIRST TAKE- and after many re-shoots trying to cover it up, they ended up printing that first take (we have to assume that was apparently the best performance of the dance, but you can see the sleeves brush across Astaire's face). It loses one-half point from me, because Randolph Scott says 'bebby' once too often.


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