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Follow the Fleet (1936)

Approved | | Comedy, Musical, Romance | 20 February 1936 (USA)
A Navy sailor tries to rekindle a romance with the woman he loves while on liberty in San Francisco.

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Writers:

(screen play), (screen play) | 1 more credit »
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2 nominations. See more awards »
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Cast

Complete credited cast:
...
...
Sherry Martin
...
...
Connie Martin (as Harriet Hilliard)
...
Mrs. Iris Manning
...
Singer in Trio
...
Captain Hickey
...
Jim Nolan
...
David Sullivan
Ray Mayer ...
Dopey Williams
...
Kitty Collins
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Storyline

When the fleet puts in at San Francisco, sailor Bake Baker tries to rekindle the flame with his old dancing partner, Sherry Martin, while Bake's buddy Bilge Smith romances Sherry's sister Connie. But it's not all smooth sailing: Bake has a habit of losing Sherry's jobs for her; and despite Connie's dreams, Bilge is not ready to settle down. Written by Diana Hamilton <hamilton@gl.umbc.edu>

Plot Summary | Add Synopsis

Taglines:

Fun Aboard! (1953 re-release) See more »


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

20 February 1936 (USA)  »

Also Known As:

Blekitna parada  »

Box Office

Budget:

$747,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (re-release)

Sound Mix:

(R C A Victor System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The song 'Get Thee Behind me, Satan' was edited in prints shown in Great Britain to remove the word 'Satan' (which offended the overly prudish censorship board). The result looks and sounds as though the film is faulty and jumps several frames each time the line is sung, but the effect was deliberate and a highly unusual example of censorship, possibly the only time a popular song was edited in this way. See more »

Quotes

Bake Baker: I don't often try to apologize 'cause I seldom make any mistakes.
See more »


Soundtracks

We Saw the Sea
(1936) (uncredited)
Written by Irving Berlin
Played during the opening credits
Performed by Fred Astaire and chorus
Also played as dance music
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User Reviews

 
Fred, you didn't tell me Ginger had a sister?
25 April 2006 | by (Buffalo, New York) – See all my reviews

Musically speaking Irving Berlin gave Fred Astaire and Ginger Rogers another pluperfect musical after Top Hat if that was possible. Although in this case like that Jerome Kern confection Roberta that they were in, Follow the Fleet retained Randolph Scott with another singer, this time Harriet Hilliard.

Randolph Scott is a career Navy CPO and Fred Astaire is an ex-vaudevillian who enlisted in the Navy to forget Ginger Rogers his former partner. But now the two are on shore leave. Fred and Ginger take up right where they left off, and Randy accidentally meets Ginger's dowdy sister Harriet who blossoms into a real beauty. But Randy's a typical love 'em and leave 'em sailor.

Again Irving Berlin wrote a hit filled score with him tightly supervising the production. Ginger gets to do some really outstanding vocalizing with Let Yourself Go which she and Fred later dance to. But the real hit of the show is Let's Face the Music and Dance which is a number done at a Navy show. Sung first by Astaire and later danced to by the pair, Let's Face the Music and Dance is one of the great romantic numbers ever written for the screen. Their dancing on this one is absolute magic.

I'm sure that when I mention Harriet Hilliard a few younger people might ask who that was. But they will know immediately when I mention her in conjunction with her famous husband Ozzie Nelson. That's right Ozzie and Harriet. It's something of a mystery to me why Harriet stopped singing when she just became David and Ricky's mom on television. Then again she didn't even keep her own name.

Neither Ozzie or Harriet sang on television. Ozzie was a pale imitation of Rudy Vallee as a singer, but Harriet could really carry a tune. She sings Get Thee Behind Me Satan and The Moon and I Are Here, But Where Are You, both with real feeling and class. I recommend you see Follow the Fleet if for no other reason than to hear a dimension of Harriet Hilliard incredibly forgotten today.


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