A Navy sailor tries to rekindle a romance with the woman he loves while on liberty in San Francisco.

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(screen play), (screen play) | 1 more credit »
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Cast

Complete credited cast:
...
...
Sherry Martin
...
...
Connie Martin
Astrid Allwyn ...
Mrs. Iris Manning
...
Singer in Trio
Harry Beresford ...
Captain Hickey
Russell Hicks ...
Jim Nolan
Brooks Benedict ...
David Sullivan
Ray Mayer ...
Dopey Williams
...
Kitty Collins
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Storyline

When the fleet puts in at San Francisco, sailor Bake Baker tries to rekindle the flame with his old dancing partner, Sherry Martin, while Bake's buddy Bilge Smith romances Sherry's sister Connie. But it's not all smooth sailing: Bake has a habit of losing Sherry's jobs for her; and despite Connie's dreams, Bilge is not ready to settle down. Written by Diana Hamilton <hamilton@gl.umbc.edu>

Plot Summary | Add Synopsis

Taglines:

Fun Aboard! (1953 re-release) See more »


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

20 February 1936 (USA)  »

Also Known As:

Blekitna parada  »

Box Office

Budget:

$747,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (re-release)

Sound Mix:

(R C A Victor System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Bugle call: see also The Gay Divorcee (1934) and Roberta (1935). See more »

Quotes

[Bake pays only for himself]
Cashier: Don'tcha friends dance?
Bake Baker: Nah. They're underage. I hold 'em on my lap.
See more »

Connections

Referenced in Amarcord (1973) See more »

Soundtracks

Get Thee Behind Me, Satan
(1935) (uncredited)
Written by Irving Berlin
Performed by Harriet Hilliard
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User Reviews

Final dance number is unforgettable.
18 May 2003 | by (California, USA) – See all my reviews

Although I enjoyed seeing Harriet Hilliard and Lucille Ball as other characters than Desi's "Lucy" and Ozzie's "Harriet", I would be happy to just watch the final dance number over and over and never see the rest of the movie--it's hauntingly beautiful and the most touching I've ever seen.

It's not just a dance number! With body language alone they act out a very emotional, but unspoken drama.


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