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Follow the Fleet (1936)

7.3
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Ratings: 7.3/10 from 2,474 users  
Reviews: 50 user | 22 critic

A Navy sailor tries to rekindle a romance with the woman he loves while on liberty in San Francisco.

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(screen play), (screen play), 3 more credits »
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Title: Follow the Fleet (1936)

Follow the Fleet (1936) on IMDb 7.3/10

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Cast

Complete credited cast:
...
Bake Baker
...
Sherry Martin
...
...
Connie Martin
Astrid Allwyn ...
Mrs. Iris Manning
...
Singer in Trio
Harry Beresford ...
Captain Hickey
Russell Hicks ...
Jim Nolan
Brooks Benedict ...
David Sullivan
Ray Mayer ...
Dopey Williams
...
Kitty Collins
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Storyline

When the fleet puts in at San Francisco, sailor Bake Baker tries to rekindle the flame with his old dancing partner, Sherry Martin, while Bake's buddy Bilge Smith romances Sherry's sister Connie. But it's not all smooth sailing: Bake has a habit of losing Sherry's jobs for her; and despite Connie's dreams, Bilge is not ready to settle down. Written by Diana Hamilton <hamilton@gl.umbc.edu>

Plot Summary | Add Synopsis

Taglines:

In the Super-Dreadnought of Musical Shows See more »


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

20 February 1936 (USA)  »

Also Known As:

Follow the Fleet  »

Box Office

Budget:

$747,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (re-release)

Sound Mix:

(R C A Victor System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Irving Berlin wrote "Get Thee Behind Me, Satan" for Fred and Ginger's previous movie, Top Hat (1935), but the song was dropped. See more »

Quotes

Bake Baker: Gosh, you're glad to see me.
See more »


Soundtracks

Let Yourself Go
(1936) (uncredited)
Written by Irving Berlin
Performed by Ginger Rogers and chorus
Reprised by her in an audition
See more »

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User Reviews

Final dance number is unforgettable.
18 May 2003 | by (California, USA) – See all my reviews

Although I enjoyed seeing Harriet Hilliard and Lucille Ball as other characters than Desi's "Lucy" and Ozzie's "Harriet", I would be happy to just watch the final dance number over and over and never see the rest of the movie--it's hauntingly beautiful and the most touching I've ever seen.

It's not just a dance number! With body language alone they act out a very emotional, but unspoken drama.


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