A retired auto manufacturer consents to a European vacation to please his vain wife, who is in denial about her age and uses the trip as a chance to flirt with other men.
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A naive country girl is tricked into a sham marriage by a wealthy womanizer, then must rebuild her life despite the taint of having borne a child out of wedlock.
Director:
D.W. Griffith
Stars:
Lillian Gish,
Josephine Bernard,
Mrs. Morgan Belmont
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A bittersweet tale of the increasing estrangement of a retired automobile tycoon and his wife. Increasingly obsessed with maintaining an appearance of youth, she falls in with a crowd of frivolous socialites during their "second honeymoon" European vacation. He, in turn, meets a woman who is everything she is not; self-assured, self-confident, and able to take care of herself. Written by
Sonya Roberts <sonya_roberts@geocities.com>
It's impossible to do justice to this work, which chronicles the complex breakdown of a long and successful marriage that cannot adjust to new challenges. Unlike many movies of the 1930s with high production values and a feel for old, glamorous Hollywood, the drama remains focused and disciplined. Aside from its subtle analysis of the end of a relationship, the movie does a superb job of contrasting the differences between the new, powerful go-getter culture of 20th-Century America and the more restrained, skeptical traditions of Old Europe. The movie in some ways represents a dialogue between these two cultures, which at time clash, most poignantly when an old Austrian baroness speaks frankly to the wife of an American industrialist. A great overlooked classic.
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It's impossible to do justice to this work, which chronicles the complex breakdown of a long and successful marriage that cannot adjust to new challenges. Unlike many movies of the 1930s with high production values and a feel for old, glamorous Hollywood, the drama remains focused and disciplined. Aside from its subtle analysis of the end of a relationship, the movie does a superb job of contrasting the differences between the new, powerful go-getter culture of 20th-Century America and the more restrained, skeptical traditions of Old Europe. The movie in some ways represents a dialogue between these two cultures, which at time clash, most poignantly when an old Austrian baroness speaks frankly to the wife of an American industrialist. A great overlooked classic.