In the South Seas, Val Stevens and Lucille Gordon are getting married when a ship goes down offshore. Val rescues Captain Deever and passenger Eric Blacke. Later Eric saves Val from an ... See full summary »
Mike Morgan creates the illusions that magicians use in their shows. While his business is Miracles for Sale, his hobby is exposing fake spiritualists. At the club, he is invited to attend ... See full summary »
Polio breaks out in Rio de Janeiro, the serum is in Santiago and there's only one way to get the medicine where it's desperately needed: flown in by daring pilots who risk the treacherous weather and forbidding peaks of the Andes.
Paul Lavond was a respected banker in Paris when he was framed for robbery and murder by crooked associates and sent to prison. Years later, he escapes with a friend, a scientist who was working on a method to reduce humans to a height of mere inches (all for the good of humanity, of course). Lavond however is consumed with hatred for the men who betrayed him, and takes the scientist's methods back to Paris to exact painful revenge. Written by
Ken Yousten <firstname.lastname@example.org>
This film had its first television showing in Los Angeles Friday 14 December 1956 on KTTV (Channel 2), followed by New York City Monday 28 January 1957 on WCBS (Channel 2), and Philadelphia Tuesday 2 April 1957 on WFIL (Channel 6); in San Francisco it was first telecast 13 January 1958 on KGO (Channel 7). See more »
Radin at times does not cast a shadow when he's about to stab Matin in his house. See more »
Lavond (as Madame Mandelip):
Look at me and see what seventeen years in the grave has done to me. No, Radin, without my hatred I never could have lived to exhume myself. What swine you three are!
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Disguised as an old woman, an escaped convict uses the creations of a pair of mad scientists to further his schemes of personal revenge.
Director Tod Browning, master of the macabre, had another winner with this little horror/science fiction film. Its glossy production values, courtesy of MGM, do not get in the way of the director's pacing or the heightening of suspense. The actual story itself - with tiny, shrunken people being used to carry out dastardly deeds in Paris - is quite absurd, but the cast is so good and the direction so able that the viewer can simply sit back and enjoy the results.
Lionel Barrymore, one of America's greatest character actors, has a field day in the lead role and is actually quite compelling dressed as an elderly lady, hobbling about like an authentic beldame. It would not be long before he would be confined to a wheelchair by crippling arthritis, but with his excellent voice and piercing eyes Barrymore would scarcely be handicapped as an actor. Here he is a positive menace, cooing & consoling his intended victims before sending the devil-dolls - controlled by his mind - to finish the job of retribution.
Fragile & ailing, Silent Film star Henry B. Walthall would be dead before THE DEVIL-DOLL could be released. Nonetheless, he still manages to give a powerful performance as a deranged scientist who has discovered how to reduce living things to one sixth their original size. Walthall's desperate eagerness over his researches replicates the dying actor's desperation to communicate with his audience. Equally formidable is Italian actress Rafaela Ottiano as Walthall's widow, feverishly continuing her husband's weird experiments. Her insane eyes and sinister mien, making her resemble Frankenstein's Bride, give the film some of its spookiest moments.
Rotund Robert Greig appears as one of Barrymore's victims; gentle Lucy Beaumont plays Barrymore's mother. Maureen O'Sullivan & Frank Lawton, reunited once again after DAVID COPPERFIELD (1935), nicely fill the requisite roles of the young lovers.
Movie mavens will recognize Eily Malyon as a mean-tempered laundress & Billy Gilbert as a butler, both uncredited.
Erich von Stroheim, brilliant & obsessive, was one of the screenwriters on this project. The special effects in the scenes involving the tiny people are quite well managed.
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