Englishmen race to find the tomb of Ghengis Khan. They have to get there fast, as the evil genius Dr. Fu Manchu is also searching, and if he gets the mysteriously powerful relics, he and ... See full summary »
Gunner and Bucker are pals who work as riveters. Whenever Bucker gets the urge to marry, which is often, Gunner will hit on his girl to see if she is true or not. So far, Gunner has not ... See full summary »
Prizefighter Mason loses his opening fight so wife Rose leaves him for Hollywood. Without her around Mason trains and starts winning. Rose comes back and wants Mason to dump his manager Regan and replace him with her secret lover Lewis.
Paul Lavond was a respected banker in Paris when he was framed for robbery and murder by crooked associates and sent to Devil's Island. Years later, he escapes with a friend, a scientist who was working on a method to reduce humans to a height of mere inches (all for the good of humanity, of course). Lavond however is consumed with hatred for the men who betrayed him, and takes the scientist's methods back to Paris to exact painful revenge. Written by
Ken Yousten <firstname.lastname@example.org>
Madame Mandilip's special dolls are costumed as members of vicious street gangs known as the Apache (pronounced ah-PAHSH), who were involved in theft, prostitution, and the occasional murder in pre-World War I Paris. The dolls even perform the Apache dance popularized by the gangs, in which extremely close steps alternate with seemingly brutal punches, kicks, hair-pulling, spins, and throws; it was usually danced to the Valse des rayons (aka Valse chaloupée) composed by Jacques Offenbach. In the 1930s and 1940s, this dance was still performed by professional dancers and can be seen in several films and even cartoons of the period. See more »
The shrunken animals do not cast shadows when they move. This is obvious with the dogs on the lab table and the horse galloping on Radin's desk. See more »
To the masses, Tod Browning is mostly unknown. Those who do know his name mostly remember him as the director of the original 'Dracula'. Fans of the genre remember him as the director not only of that movie, but of 'Freaks' as well.
But there is a great slightly campy classic that he directed near the end of his career, The Devil Doll.
While it never hits the highs of those earlier films, it is certainly worth a watch. The story concerns Paul Lavond (played by the always awesome Lionel Barrymore) - an escaped prisoner who learns a way to shrink humans to 1/6th their size, and rob them of their free will. He uses this secret to enact revenge on the men who framed him and sent him to prison.
Like his other films, this Tod Browning film also started a bit of a subgenre in the horror field - no, I'm not talking about creepy dolls (though a case could perhaps be made for that), I'm talking about the wronged individual that seeks redress in a vengeful manner (sure, earlier films danced around the concept - notably 'The Phantom of the Opera' - but here it is so straightforward. Lavond openly admits that he is full of "hatred", "vengeance" and even "evil". That is very refreshing, even in a film that's over 70 years old! Lavond realizes that he will ultimately pay a heavy price for his actions, but never wavers in his conviction to see his plans fully realized. Many great films in the genre followed this formula later on, notably 'The Abominable Dr. Phibes'.
Another great aspect to this film is the great supporting cast. Maureen O'Sullivan (Jane from the Tarzan films!) as Lavond's daughter, and character actress Rafaela Ottiano creepy as always as Lavond's accomplice.
Definitely worth a watch.
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