Englishmen race to find the tomb of Genghis Khan. They have to get there fast, as the evil genius Dr. Fu Manchu is also searching, and if he gets the mysteriously powerful relics, he and ... See full summary »
Gunner and Bucker are pals who work as riveters. Whenever Bucker gets the urge to marry, which is often, Gunner will hit on his girl to see if she is true or not. So far, Gunner has not ... See full summary »
Mike Morgan creates the illusions that magicians use in their shows. While his business is Miracles for Sale, his hobby is exposing fake spiritualists. At the club, he is invited to attend ... See full summary »
Paul Lavond was a respected banker in Paris when he was framed for robbery and murder by crooked associates and sent to Devil's Island. Years later, he escapes with a friend, a scientist who was working on a method to reduce humans to a height of mere inches (all for the good of humanity, of course). Lavond however is consumed with hatred for the men who betrayed him, and takes the scientist's methods back to Paris to exact painful revenge. Written by
Ken Yousten <email@example.com>
Francis McDonald (Detective) and Inez Palange (Concierge) are in studio records/casting call lists as cast members for their roles, but they did not appear or were not identifiable in the movie. See more »
When Lachna is on Coulvet's bed to stab him, she does not cast a shadow on the bed's blanket, nor does she put any indentions in the blanket when walking on it. See more »
Lavond (as Madame Mandelip):
[a policeman has just left the shop, failing to recognize Lavond in disguise]
Stupid policeman... To let an old white wig cost him 100 thousand francs.
It might have been safer to take him downstairs and make him "small."
Lavond (as Madame Mandelip):
He's small already, in mind. In fact, Malita, if most men were reduced to the dimensions of their mentality, Marcel's plan wouldn't be necessary.
See more »
Director Tod Browning just wasn't drawn to normal people. His movies are often set in circuses and carnivals, or else involve criminals who take on weird or grotesque disguises. Deception of one kind or another is a common theme in his films. Some find his movies to be profound commentaries on the human condition; others see them as just weird. I see Browning as a unique film artist. As to the extent of his genius, it's hard for me to gauge. There's no one else quite like him. Whenever I'm watching a Browning picture I'm inevitably more thrilled by the ideas behind it than I am by the film itself. The Devil Doll concerns a man framed for a crime he didn't commit who is sent to Devil's Island, where he learns the black art of shrinking people to the size of mice from an inventor. He escapes from the island and returns to Paris, where he proceeds to extract his revenge on those who sent him away.
There's a lot of plot in this one, far more than I just outlined, and the movie has on occasion a Victorian-Dickensian feeling, aided in no small measure by the casting of Maureen O'Sullivan and Frank Lawton, who had just appeared in the movie of David Copperfield, as the romantic leads. Lionel Barrymore is the star, and still quite capable of getting around, and delivers a fine performance, alternately sympathetic and diabolical. This is not a fast-paced or exciting movie by today's standards, but it has its virtues, most of them pictorial. The special effects are superb, and the elf-people uncannily persuasive.
31 of 37 people found this review helpful.
Was this review helpful to you?