Balkan Prince Henry has two wishes, to meet Lauren Bacall and see the "real" America. He befriends cabbie Buzz Williams and, without knowing the microphone is live, the two stage a debate ... See full summary »
It's 1945, Burma, the day the war is over! For many this means they've survived and will be going home. But not for everyone. A Scottish soldier, Corporal Lachlan "Lachie" MacLachlan is the... See full summary »
Against all odds Father Flanagan starts "Boys' Town" after hearing a convict's story. Whitey Marsh comes there. He runs away but, hungry, returns. He runs away again but, when friend Pee ... See full summary »
Snooty heiress decides to track down her dead sister's kids, who are living a Bohemian life with their uncle in Greenwich Village. Once she finds them, she discovers that the Bohemian life ... See full summary »
Elizabeth and John say goodbye as John leaves to go to war. When World War I ends, Elizabeth receives a telegram that John has been killed in action. She finds comfort in Larry and they ... See full summary »
Claude Pierce is delighted to move in with his father, Jay Pierce, a struggling architect living in lower Manhattan, for the six months the divorce agreement of his parents specified. He's come at a particularly bad time for his classmate, Gig Stevens, whose father is to be executed that night for murder, so he's treated badly by Gig as well as Gig's pal, Buck Murphy, and their gang. But he takes boxing lessons and holds his own in a fight with the older and heavier Buck, so he is grudgingly accepted into the gang. Their chief interest is to get a proper tombstone for Gig's father, costing $80. When stealing and selling tires proves too slow, Claude suggests burglarizing some rich kid's home for his toys, and pawning them. Claude leads them to a house at night, where rich looking toys are found, stolen and pawned. However, a suspicious policeman has them brought before a judge where Claude eventually confesses they were his toys; he knew his mother was away and the house was ... Written by
Arthur Hausner <email@example.com>
This film received its initial USA telecast in Los Angeles Thursday 27 December 1956 on KTTV (Channel 11), followed by Philadelphia Friday 1 March 1957 on WFIL (Channel 6); its San Francisco television premiere took place 11 April 1958 on KGO (Channel 7); its earliest documented telecast in New York City presently stands at 1 June 1960 on WCBS (Channel 2). See more »
When the boys are running away towards the end and meet in the cemetery, there's a part in the scene where you can see a man walking across in the background. See more »
[on New York City]
Well, all I see is squalor and dirt. And unpleasantly swarthy people.
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I taped this based on its title alone. It's the kind of classic Hollywood film I really love because, while it's definitely a quality picture, it's also goofy in a lot amusing ways. The Devil Is a Sissy stars three child stars of the time, Freddie Bartholomew, Jackie Cooper, and Mickey Rooney. Bartholomew is a young British chap who is staying with his humble father (Ian Hunter) for six months in the middle of New York City. At his local public school he meets up with Cooper and Rooney, two little toughs. It takes a while, but soon Bartholomew has learned the customs of the people around him, like how to play American football (the ball has points, unlike British football) and what people do to squealers. Near the beginning, Rooney's father is executed for murder. I wouldn't call it anti-death penalty by any means, but it's nice to see a movie from this time deal with the way it effects the family of the person who is executed. Over the course of the film, Cooper and Rooney learn what comes from being bad. The title of the film comes from a speech given to them by a judge, who tells them that it is easier to be good than bad. The angels were good, and the devil was the real sissy. The lessons to be learned remind me a lot of Michael Curtiz's Angels with Dirty Faces, but The Devil Is a Sissy is a much better film. The three kids here are professionals. They are the heart of the film, where the titular angels were merely plot devices. That was just a James Cagney vehicle. The script here is much better, as well. In addition to the actors I mentioned, Peggy Conklin gives a great performance as Mickey Rooney's rich aunt. She and the kids (and also her black maid) sing a nice little number, "The 'Ah' Song." The script kind of tiptoes around why the aunt has money. At first I assumed it was because she was a singer, but it seemed to hint later on that she may have been a kept woman. I'm not sure. Conklin's career seems to have sputtered and died, which is far too bad.
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