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The Crimes of Stephen Hawke (1936)

A crazed killer known as "The Spinebreaker" is terrorizing London with a series of grisly murders. The police seem powerless to stop him.

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(scenario), (screenplay) | 2 more credits »
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Cast

Cast overview:
Tod Slaughter ...
Marjorie Taylor ...
D.J. Williams ...
Eric Portman ...
Graham Soutten ...
Nathaniel (as Ben Soutten)
Gerald Barry ...
George M. Slater ...
Charles Penrose ...
Norman Pierce ...
Landlord
Flotsam and Jetsam ...
Themselves
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Storyline

The film begins in a BBC studio with the 100th edition of "In Town Tonight". Flotsam and Jetsom open with a "topical number". Then there is an interview with a distinguished actor, which dissolves into a performance of one of his famous melodramas about a wicked moneylender etc. Written by Michael Crew <m.crew@bbcnc.org.uk>

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Genres:

Crime | Drama | Thriller

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Release Date:

May 1936 (UK)  »

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Aspect Ratio:

1.37 : 1
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Did You Know?

Connections

Featured in Doom Asylum (1987) See more »

Soundtracks

Colonel Bogey
(uncredited)
Music by Kenneth Alford
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User Reviews

Spine-Tingling Fun
21 November 2001 | by (NC) – See all my reviews

This time around Tod Slaughter plays Mr. Stephen Hawke, a limping, kind-hearted bespectacled money lender by day with a beautiful, faithful daughter and the friendship of a local shipping agent and son, and by night he is the "spine-breaker," cruelest of all killers as he kills the rich for their money and treasure in a serial-like fashion. As with any Slaughter film, Slaughter is the main focal point of the film. The film is barely over an hour in length, but it has much to offer in plot. We have Slaughter kill a spoiled rich kid, trick a man into bringing an emerald to his home, kill his friend, and run from the vengeance of his son. Throw in some lecherous guy that wants to force Hawke's daughter into marriage and a hunchback for extra measure. The rest of the actors are adequate(or less than so) but they do not detract at all from the presence of Slaughter on film. His build, his speech, his whole demeanor brings life to each and every scene he is in. Is he a great actor? No, but he sure can grab your attention and keep a "grip" on it. As with many other Slaughter films, George King directs in workman-like style if nothing else. The beginning is set up like a radio play with some "entertainers" doing some kind of real bad vocal act prior to Slaughter coming on talking about his "new" old melodrama. Good old-fashioned fun!


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