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27 user 4 critic

Craig's Wife (1936)

Approved | | Drama | 25 September 1936 (USA)
A domineering woman marries a wealthy man for his money, and then uses her position to further her own ambitions for money and power.

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Cast

Complete credited cast:
...
...
...
Mrs. Frazier
...
Mrs. Harold
Dorothy Wilson ...
Ethel Landreth
Alma Kruger ...
Ellen Austen
...
Fergus Passmore
Raymond Walburn ...
Billy Birkmire
Elisabeth Risdon ...
Mrs. Landreth
Robert Allen ...
Gene Fredericks
...
Mazie
...
Adelaide Passmore
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Storyline

A domineering woman marries a wealthy man for his money, and then uses her position to further her own ambitions for money and power.

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

Approved
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Details

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Release Date:

25 September 1936 (USA)  »

Also Known As:

L'obsession de Madame Craig  »

Box Office

Budget:

$300,000 (estimated)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

"Lux Radio Theater" broadcast a 60 minute radio adaptation of the movie on May 12, 1941 with Rosalind Russell reprising her film role. See more »

Quotes

Harriet Craig: I'm all alone in the house now...
[turning to see the door closing behind her]
Harriet Craig: Wait! don't go!
See more »

Connections

Version of Craig's Wife (1957) See more »

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User Reviews

 
The institution of marriage takes a big hit
3 January 2000 | by (Los Angeles) – See all my reviews

Harriet Craig (Rosalind Russell) is a thoroughly hateful character. This is one of those films that gains power from the strength of the villainous antagonist rather than from a relatively weak protagonist.

Harriet is married to the gentle henpecked Walter Craig. Walter never catches on, even though the Craigs have no friends and Walter has become something of a laughing stock in town. Harriet never cared much for Walter, but she sure liked his money which enabled her to have a beautiful home, servants, and a respectable place in the community. Harriet is, therefore, one of those respectable, upwardly mobile prostitutes who uses marriage to barter her good looks for money and position. It's not a pretty picture.

However, Harriet's strategy for maintaining her marriage is deeply flawed. She acts like a manipulative, controlling cold-hearted bitch at all times and ultimately her life implodes.

This film is quite well done and the viewer just can't escape a warm feeling of satisfaction as the malevolent Harriet gets what's coming to her--and more. Although the Harriet character lacks nuance (she's just SO witchy), the story still worked, at least for me. This emotional resonance indicates that the writers, actors, and director Dorothy Arzner did a good job in projecting a wholly believable villain.


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