A cream-of-the-crop gathering of 1930's radio stars, who lend themselves to a storyline about a failing radio station which needs to put on a huge ratings winner to have any chance of ... See full summary »
Sam Gallagher (Pat O'Brien), a former foreign correspondent and now a United States Government agent, gets a job through his brother Jeff (Chester Morris), whom he has not seen in seven ... See full summary »
Larson E. Whipsnade runs a seedy circus which is perpetually in debt. His performers give him nothing but trouble, especially Edgar Bergen and Charlie McCarthy. Meanwhile, Whipsnade's son ... See full summary »
Edward F. Cline
As her fifth wedding anniversary approaches, a woman realizes that she is fed up with always coming in second to her husband's advertising business. Just at the moment when she is trying to... See full summary »
"Howdy" Nelson believes there is no such think as real love and that romance can be cooked up between any eligible persons (of the opposite sex.) He is so imbued with the idea that he has ... See full summary »
Businessman Paul Bultitude is sending his son Dick to a boarding school. While holding a magic stone from India, he wishes that he could be young again. His wish is immediately fulfilled ... See full summary »
When his car breaks down during a trip from Los Angeles to Texas John Emmett meets another motorist, Ann Nicholson, who offers him a lift. He learns that she is running away from her ... See full summary »
Henry S. Kesler
Sylvia Smith and Dick Winters share a romantic kiss at a dance, but Sylvia is called away before Dick can learn her full name. Sylvia's father is about to lose his California hotel, the Casa Del Mar, thanks to the financial blundering of his new business partner J. Davis Bowster. The mortgage is held by eccentric heiress Carola P. Gaye, whose current fascination is with the ancient Greek-style eugenics championed by Prof. Hercules Dove. Carola plans to use the hotel as the center of her "Body Beauteous" selective mating program. Looking to raise funds with a collegiate musical show, Bowster gathers talent under the pretense of recruiting good-looking young people for Carola's eugenics experiment. Among the group are Dick Winters (still searching for his mystery girl) and Daisy Schloggenheimer (taught to resist male attention with physical force). Under strict orders to prevent any romance between the "guinea pigs", Bowster has great difficulty keeping the boys and the girls away from ... Written by
First movie listing of 'Journey-Man', extra William Meader, age ~22 from Massachusetts. Who appears likely to have 'Vaudeville/Theatre', involvement since ~1916 onward. Here, as a dancer for a film that would have served as lightweight diversion for World War 1 audience, introducing the basic 'Eugenics' notions of the day topical to those prior to World War 2. Ideas ironically that led to him being cast in the science fiction classic '_Star Trek_ (1966)_' series. See more »
In Miss Gaye's car, Bowster is clasping his toga closed at his breast with his left hand in practically all of the close-ups. In long shots, his hand's in his lap. See more »
Forget about plot! This is one example of the 1930s Paramount "Big Broadcast" and "college" series, all of which are entertaining during individual scenes. Eugenics was a popular topic of discussion during this era: one which later became discredited in large part because of "breeding" experiments in Nazi Germany. On a much less serious note, in this film we have a wacky "professor" and an even wackier wealthy patron (Mary Boland in great form) who bring a trainload of "Paramount Co-Eds" and college studs to be matched up, so as to produce perfect physical specimens, all the time dressed in pseudo-classic Greek togas and "sarongs". The prof's exemplar daughter is Martha Raye. Burns and Allen do a couple of comic bits totally unrelated to the "plot". Maltin calls all this silly. Who can deny it? If you stop looking for anything to think about and relax, you'll have an intermittent good time, and if you doze off it won't make much difference (Dorothy Lamour and Marjorie Reynolds appear briefly as co-eds, but viewers probably won't spot them.)
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