The road-show troupe of a top Broadway show go cross-country while taking the audience along on the on-stage scenes as well as what happens and is happening back stage of the production. ... See full summary »
Underworld king Lee Lother has been killed aboard a ocean liner, several people could have been the murderer. There is his mistress Anya Roysen, a married woman, who was jealous of his ... See full summary »
Bob Gordon is staging a new Broadway Show, but he is short of money. He gets an offer of money by the young widow Lilian, if she can dance in his new show. Bert Keeler, a paper man, gets ... See full summary »
David Wilton, John Aynesworth, and Smith are among a group of cadets hoping to become pilots in the Royal Air Force. David, however, has poor height perception and cannot master his ... See full summary »
A comedy starring George Formby as John Willie the shoe shine boy for a busy hotel. John is not very good at his job, as he often has trouble trying to pair up the shoes, much to his ... See full summary »
Jack Benny is preparing his New Year's Eve radio broadcast but takes time out to take his valet Rochester to meet his girlfriend Josephine arriving on a steamer. Fred Allen and his sister ... See full summary »
Calvin Churchill, a confidence-man, and his sidekick/stooge, "Clip" McGurk, are being pursued by an Internal Revenue agent, Henry Potke, for their failure to file an income-tax on the ... See full summary »
Buck Boswell and his all-girl troupe are stranded in Paris, but Buck manages to con the manager of the 'Hotel de Navarre' in furnishing accommodations for his group, but the proprietor's ... See full summary »
Sylvia Smith and Dick Winters share a romantic kiss at a dance, but Sylvia is called away before Dick can learn her full name. Sylvia's father is about to lose his California hotel, the Casa Del Mar, thanks to the financial blundering of his new business partner J. Davis Bowster. The mortgage is held by eccentric heiress Carola P. Gaye, whose current fascination is with the ancient Greek-style eugenics championed by Prof. Hercules Dove. Carola plans to use the hotel as the center of her "Body Beauteous" selective mating program. Looking to raise funds with a collegiate musical show, Bowster gathers talent under the pretense of recruiting good-looking young people for Carola's eugenics experiment. Among the group are Dick Winters (still searching for his mystery girl) and Daisy Schloggenheimer (taught to resist male attention with physical force). Under strict orders to prevent any romance between the "guinea pigs", Bowster has great difficulty keeping the boys and the girls away from ... Written by
This film uses the name "Santa Teresa" for a thinly veiled "fictional" version of Santa Barbara, where the hotel exteriors were shot. Beginning in the 1980's, writer Sue Grafton would set her popular Kinsey Millhone mystery novels in "Santa Teresa," also a thinly veiled fictional version of Santa Barbara. See more »
In Miss Gaye's car, Bowster is clasping his toga closed at his breast with his left hand in practically all of the close-ups. In long shots, his hand's in his lap. See more »
All I want to know is why are we riding in a chariot with four white horses when there are hundreds of taxi cabs?
Calliope 'Gracie' Dove:
Well, four horses couldn't get into a taxi cab. Even if they had money!
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Paramount seems to toss every minor comedy actor they had -- some would become major stars, but not from this -- into this poorly written potboiler of a college musical in which no time is spent on campus and the whole thing ends with a minstrel show in a eugenics lab.
There's little cohesion in this work and while you may enjoy individual comedy bits -- Burns & Allen driving a chariot while doing their act certainly amused me -- it looks like the sort of thing that some one started working on the script and by the time director Frank Tuttle got it shot, all the cast were making it up as they went along. The music is good and a couple of the numbers are well presented -- I'm impressed by the eccentric choreography that Leroy Prinz did for Johnny Downs and Eleanore Whitney in "Just a Rhyme for Love"; however, even though everyone does his job competently, in front of and behind the camera, the crazy-quilt construction of this film renders this only intermittently amusing.
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