6.0/10
210
11 user 4 critic

Colleen (1936)

Approved | | Comedy, Musical, Romance | 21 March 1936 (USA)
The Ames Company makes every effort to keep Uncle Cedric away from any decisions or work. This is in the best interests for him and the company. Trouble starts when he hires a schemer named... See full summary »

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(screen play), (screen play) | 2 more credits »
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Cast

Complete credited cast:
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Paul Gordon
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Mabel
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Carlo
...
Noggin
...
Logan
...
...
Schuyler
Charles Coleman ...
Butler
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Storyline

The Ames Company makes every effort to keep Uncle Cedric away from any decisions or work. This is in the best interests for him and the company. Trouble starts when he hires a schemer named Joe as his personal assistant and then a gal named Minnie who loves fashion. He buys Minnie a dress shop where Colleen is the bookkeeper and scandal soon follows. When Donald goes to shut down the shop, he doesn't as he is infatuated by Colleen. Colleen runs the shop and fashion shows and starts to make a profit, but Minnie starts a scandal when Cedric tries to adopt her, but doesn't - much to the horror of Alicia and the amusement of the press. Then Joe sues Donald for the loss of Colleen's affection. Written by Tony Fontana <tony.fontana@spacebbs.com>

Plot Summary | Add Synopsis

Taglines:

JACK OAKIE Starts Swinging...JOAN BLONDELL Starts Trucking... See more »


Certificate:

Approved | See all certifications »
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Details

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Release Date:

21 March 1936 (USA)  »

Also Known As:

Colleen, A Modista  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The $50,000 Ames paid out to settle everything would equal nearly $870,000 in 2016. See more »

Quotes

Minnie Hawkins: Well, smart-aleck, aren't you going to do something? What about "London, Paris, Vienna in the spring..."?
Joe Cork: Ah, this is bad, this is serious...
Minnie Hawkins: I didn't have to come here to find that out.
Joe Cork: [with a pondering expression] I got it! Somethin's gotta' be done. Something brilliant, a stroke of genius!
Minnie Hawkins: What, for instance?
Joe Cork: I'll tell ya' after.
Minnie Hawkins: After what?
Joe Cork: After I think about it myself.
See more »

Connections

Edited into Six Hits and a Miss (1942) See more »

Soundtracks

You Gotta Know How to Dance
(1936) (uncredited)
Music by Harry Warren
Lyrics by Al Dubin
Played during the opening photo credits and sung with special lyrics by Dick Powell,
Ruby Keeler, Jack Oakie, Joan Blondell, Hugh Herbert, Louise Fazenda,
, Luis Alberni and Marie Wilson and chorus and tap-danced by Paul Draper and chorus
Sung by Dick Powell, danced by Paul Draper and Ruby Keeler in the finale
Played also as background music
See more »

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User Reviews

 
Fluff....
9 September 2011 | by See all my reviews

While the film has a few interesting moments, "Colleen" is pure fluff--and the songs aren't particularly distinguished. Musical fans will probably be disappointed and non-musical fans probably won't be won over by the film.

The film begins with the rich eccentric owner (Hugh Herbert) of the Ames Company showing up for work--and that's a bad thing. So, it's up to his nephew (Dick Powell) to follow behind and clean up his messes. One mess involves Herbert's relationship with a wicked gold-digger (Joan Blondell) and her 'friend' (Jack Oakey). And when Powell goes to investigate the dress shop that Herbert bought for her, he meets Blondell's bookkeeper (Ruby Keeler) and falls in love. But, it's too early in the film and naturally some monkey wrench arises that keeps them apart until their ultimate and very expected happy ending.

As I said above, the film has lots of singing and dancing but none of it is particularly distinguished. In addition, Miss Keeler (who was a great dancer) sang too often--and this was a problem since her singing was pretty flat and lifeless. Oddly, when she danced they often had her dancing with a different guy (not Powell)--probably because he had a nice voice but wasn't a dancer. And, she was really a dancer and not a singer--an odd combination.

As for the comedy, I agree with another reviewer who felt that basing an entire film around Herbert wasn't a great idea, as he was very much a one-not performer. He could be good (such as in "The Traveling Saleslady") but he could also become tiresome with his effete manner and shtick. The brightest spots in the film, I think, were Blondell and Oakey, but since it was a musical, this left these two out of much of the film--though their musical number together was pretty decent. All in all, a lot of fluff and a pleasant time-passer at best.


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