After Police Captain Dan McLaren becomes police commissioner former detective Johnny Blake knocks him down convincing rackets boss Al Kruger that Blake is sincere in his effort to join the ... See full summary »
Edward G. Robinson,
Frank Taylor joins the "pro-American" Black Legion when he loses his chance at foremanship to a foreign-born man. The organization is a sort of Ku Klux Klan in the industrial sphere. Frank has troubles with his wife over this and causes serious trouble when he tells all to his best friend Ed Jackson. Written by
Ed Stephan <email@example.com>
When Frank lights a cigarette outside the pharmacy after his wife and child leave, an advertisement for Pabst Beer is visible behind him, but the "P" and the "T" have clearly been covered with white-out. See more »
The movie end credits list the name of the character played by Helen Flint as "Pearl Davis" but throughout the movie - particularly during her courtroom testimony - her character is referred to as "Pearl Danvers." See more »
Well, what's the matter? You afraid?
So, you're afraid! Maybe they better change the name of your outfit from the Black Legion to the Yellow Legion.
See more »
Humphrey Bogart is first-rate in this thinly disguised story of the Ku Klux Klan and how it plays on the fears and prejudices of the poor and uneducated (and how it's run by the well-to-do and educated, a point often missed by reviewers). Bogart plays a factory worker who was expecting a promotion, only to see it go to a "foreigner" (in this case, a Pole--and, by implication, a Jew, which is where the Klan gets involved). Angry, resentful and worried about his future, Bogart gets caught up in a racist, Klan-like group called the Black Legion, which, in the manner of all fundamentalist right-wing terrorist groups, proclaims its patriotism and its "defense of God and country" against "dirty foreigners." The interesting thing about this film is that it really doesn't blame Bogart's character for what eventually happens; he's just a pawn in the political agenda of the right-wing business and political interests who actually control the group. Warner Bros. was known for its muckraking films, and this is one of its better ones. It took guts for Warners to make this type of picture during this particular period in American history; there was a strong resurgence of Ku Klux Klan activity all over the country--there was even a Klan parade, with thousands of hooded marchers, that passed directly in front of the White House in Washington, DC--and lynchings and racial murders were skyrocketing, especially in the South. While maybe not as strong as some would have liked, the picture still radiates the Warner Bros. passion for the underdog, and they did a good job here. Strong performances by the principals, tight direction by Archie Mayo and the usual Warner Bros. grit make for a first-rate film. Highly recommended.
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