After Police Captain Dan McLaren becomes police commissioner former detective Johnny Blake knocks him down convincing rackets boss Al Kruger that Blake is sincere in his effort to join the ... See full summary »
Edward G. Robinson,
Frank Taylor joins the "pro-American" Black Legion when he loses his chance at foremanship to a foreign-born man. The organization is a sort of Ku Klux Klan in the industrial sphere. Frank has troubles with his wife over this and causes serious trouble when he tells all to his best friend Ed Jackson. Written by
Ed Stephan <firstname.lastname@example.org>
Director Michael Curtiz was brought in to shoot some additional footage after the production wrapped. It is known that he shot at least the scene with the Black Legion executives. See more »
The movie end credits list the name of the character played by Helen Flint as "Pearl Davis" but throughout the movie - particularly during her courtroom testimony - her character is referred to as "Pearl Danvers." See more »
How yuh doin', Ed?
Oh, terrible! I feel like a drill was driving right through the top of my head.
It might be a good idea to let out some of dat beer you slopped up last night.
Aw, quit riding me, will yuh?
Oh, I ain't even started on you yet. C'mon, let's eat.
No, Frank, I couldn't.
Oh, come on. Do you good. You gotta eat.
[He snaps his finger]
I got just the thing to straighten you out.
Yeah? What is it?
[...] See more »
The opening credits of this film declare in large letters that the characters and institutions portrayed in the film are entirely fictional. It seems even the brothers Warner were afraid of the Ku Klux Klan. And why wouldn't they be in the Thirties when lynchings and other acts of terror were common - are they still? Bogart is fine in an early role as a young worker, dismayed at a Polish worker getting a promotion he was seeking, who joins the Klan (or the Black Legion as they call it here). It's interesting to see him before he was typecast as the tough guy - he is very vulnerable here but not entirely sympathetic.
The film wears its sincerity on its sleeve a bit and is never wholly believable, but it is a brave attempt to confront the racism that was rife in Depression era America, when getting and keeping a job was very tough.
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