After Police Captain Dan McLaren becomes police commissioner former detective Johnny Blake knocks him down convincing rackets boss Al Kruger that Blake is sincere in his effort to join the ... See full summary »
Edward G. Robinson,
Rick Leland makes no secret of the fact he has no loyalty to his home country after he is court-martialed, kicked out of the Army, and boards a Japanese ship for the Orient in late 1941. ... See full summary »
Frank Taylor joins the "pro-American" Black Legion when he loses his chance at foremanship to a foreign-born man. The organization is a sort of Ku Klux Klan in the industrial sphere. Frank has troubles with his wife over this and causes serious trouble when he tells all to his best friend Ed Jackson. Written by
Ed Stephan <email@example.com>
Warners would produce a similar-themed film, Storm Warning (1951), in 1951 about a for-profit hate group similar to the Black Legion. In that film the organization was obviously supposed to be the Ku Klux Klan, although it was never specifically called the Ku Klux Klan and was only referred to as "the Klan". See more »
When the Legion trusses Mike Grogan to the tree branch before flogging him, in the shot from the front both of his arms are fully extended from the branch. However, in the shot from behind, his right wrist is strapped to the branch with his arm bent at the crook of the elbow. See more »
Well, what's the matter? You afraid?
So, you're afraid! Maybe they better change the name of your outfit from the Black Legion to the Yellow Legion.
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The opening credits of this film declare in large letters that the characters and institutions portrayed in the film are entirely fictional. It seems even the brothers Warner were afraid of the Ku Klux Klan. And why wouldn't they be in the Thirties when lynchings and other acts of terror were common - are they still? Bogart is fine in an early role as a young worker, dismayed at a Polish worker getting a promotion he was seeking, who joins the Klan (or the Black Legion as they call it here). It's interesting to see him before he was typecast as the tough guy - he is very vulnerable here but not entirely sympathetic.
The film wears its sincerity on its sleeve a bit and is never wholly believable, but it is a brave attempt to confront the racism that was rife in Depression era America, when getting and keeping a job was very tough.
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