Live scenes of Paris and a continuity Narrator link together four dramatic choreographies, all by Roland Petit: Carmen (1949), La croqueuse de diamants (1950), Deuil en 24 heures (1953), and Cyrano de Bergerac (1959).
Tom and Ellen Bowen are a brother and sister dance act whose show closes in New York. Their agent books them in London for the same period as the Royal Wedding. They travel by ship where ... See full summary »
A newspaper columnist and host of his own national network radio program, interviewing more film personalities on his show than any other commentator, is searching for a story for a Sunday ... See full summary »
William Powell plays William Foster, a slick attorney who stays within the law, but specializes in representing crooks and shady characters. He's adept at keeping them out of jail, winning ... See full summary »
When cowboy star Tom Ford disappears, Wilson gets his double Gene Autry to impersonate him. But Ford owes gangster Rico $10,000 and Rico arrives to collect. He fails to get the money but learns that Autry is an impersonator and now blackmails Wilson and his movie studio. Written by
Maurice VanAuken <firstname.lastname@example.org>
The Light Crust Doughboys and The Jones Boys appear in the credits, but do not appear in the shortened (54 minutes) version, but along with some additional action they appear in the original (71 minutes) movie. See more »
It's Autry's voice allright. He's got alot of nerve impersonating me! I'll sue him. I'll sue the company. Schwartz is gonna hear from me about this. Pack up; we're going back!
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The likable Gene Autry plays a dual role and has some good opportunities to use his variety of talents in this enjoyable B-Western. The story is light but entertaining, and it has some good musical numbers plus some comic relief from Smiley Burnette. The Texas Centennial setting also gives it some additional historical interest.
Autry plays both a bad-tempered movie star cowboy and his talented, good-natured stunt double, so the setup offers some good lighter moments in its look at the movie industry. The story starts with the stunt double filling in for the star at a public appearance, with numerous complications arising from there. Autry gets many opportunities to sing, and there are also some good action sequences.
Most of it works pretty well, because it generally allows Autry to use his strengths. Burnette also gets some good moments, and while the story is mostly used to showcase Autry and the other musical entertainment, it works too as a way of pulling things together.
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