A young man falls in love with a girl from a rich family. His unorthodox plan to go on holiday for the early years of his life is met with skepticism by everyone except for his fiancée's eccentric sister and long suffering brother.
The bold Tira works as dancing beauty and lion tamer at a fair. Out of an urgent need of money, she agrees to a risky new number: she'll put her head into a lion's muzzle! With this ... See full summary »
Kit Madden is traveling to Hollywood, where her best-selling novel is to be filmed. Aboard the train, she encounters Marines Rusty and Dink, who don't know she is the author of the famous ... See full summary »
Victor and Hillary are down on their luck to the point that they allow tourists to take guided tours of their castle. But Charles Delacro, a millionaire oil tycoon, visits, and takes a ... See full summary »
Dan Barr is a flatfoot on the trail of jewel robbers. Eve Fallon is his girl of 5 years. We meet them spitting and sparring, but never doubting they're in love. Eve is a manicurist, with an eye for news. Soon after we meet her, she's out of the beauty salon and into the news-room as an ace reporter. With Eve's help, Dan nabs one of the jewel gang members, Cortig, whose stray bullet killed a baby in the park. A spooked witness and a slick lawyer get Cortig off. Disgusted with the lack of justice, Dan quits the force to find his own justice. Eve, likewise, quits the paper and returns to her job as manicurist. While giving a manicure, Eve unwittingly discovers that a prominent local citizen is the jewel gang's leader. All the while, Dan is hot on the trail. Their trails merge and the case is solved. Written by
Debbie Dunlap <email@example.com>
One of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. See more »
[stopping Eve from telephoning]
Wait a minute, will you, honey?
[Eve smacks his hand from the phone]
Oh, how I wish you were a man!
Same to you.
See more »
And in that of Raoul Walsh, as well. The early scenes, which try really hard to be cute, show no influence of Walsh. When it gets more into the career of policeman Grant, we see some fast-paced action and it makes sense as a Walsh project. Sort of.
Grant was young and hadn't become a major star yet. He looks great and does a creditable job. His female co-star is Joan Bennett. Now there was an interesting actress: She worked with all the great foreign directors when they came to Hollywood. She made several movies for Fritz Lang. She worked for Max Ophuls. She worked for Jean Renoir.
Here she is a blonde, like sister Constance. She's fine.
Walter Pidgeon looks young too. He is cast in the sort of role Robert Montgomery or Warren William got more frequently: He's a charming crook.
When the movie begins, Bennett is a manicurist. Then, suspiciously quickly, she's an ace newspaper reporter. Was this little film assembled from various attempts or is the plot just a little unconvincing? There are many wonderful reaction shots that move quickly from close-up of one bit player or extra to close-up of another. I think the most famous use of this sort of extreme close-up is that of the chatty woman in "Brief Encounter." But the ones here are great. Indeed, they elevate what is essentially a trivial movie up a notch or two.
3 of 4 people found this review helpful.
Was this review helpful to you?