A cream-of-the-crop gathering of 1930's radio stars, who lend themselves to a storyline about a failing radio station which needs to put on a huge ratings winner to have any chance of ... See full summary »
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In this screwball comedy a WW2 US pilot bombs a Japanese aircraft carrier, is assumed to be dead, and then is misquoted in the press as fondly remembering his days back home walking his dog... See full summary »
A cream-of-the-crop gathering of 1930's radio stars, who lend themselves to a storyline about a failing radio station which needs to put on a huge ratings winner to have any chance of continued operation. An interesting mixture of the stars whose fame continued to grow, those who became bit players in show business history, and those who have been forgotten entirely, except at the Internet Movie Database of course! Written by
One of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. See more »
Despite the talent involved, the movie never really gels. It also wastes too much of that headline talent in an over-crowded plot. For example, Jack Benny is stiffened into what's basically a straight role with too many conventional lines. Too bad that his comedic talents are not put on better display. Then too, George Burns has little to do but trail around after Gracie. Fans know how leeringly witty he could be given the right material. And I guess Benny Goodman's one brief showcase was for marquee value.
Anyhow, the movie largely wastes these folks by trying to crowd too many characters into the 90-minutes. Then too, I thought Bob Burns' running gag as a hick quickly became more tiresome than funny. While Forest's glass-shattering version of La Bomba had me reaching for the mute button. And I guess Stokowski's near noirish classical performance was dropped in to add a little class.
On the other hand, Gracie Allen's scatter-brain is on funny display as the radio station's chief sponsor. While Martha Raye gets to liven things up with an upbeat number near the end. There are such moments of genuine humor, but too often they're eclipsed by aimless comings and goings. In sum, the movie's very much a mixed bag, as other reviewers point out. All in all, considering the cast potential, the movie adds up to an unexpected disappointment.
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