| Bing Crosby | ... | Billy Crocker | |
| Ethel Merman | ... | Reno Sweeney | |
| Charles Ruggles | ... | Rev. Dr. Moon | |
| Ida Lupino | ... | Hope Harcourt | |
| Grace Bradley | ... | Bonnie LeTour | |
| Arthur Treacher | ... | Sir Evelyn Oakleigh | |
| Robert McWade | ... | Elisha J. Whitney | |
| Richard Carle | ... | Bishop Dobson | |
| Margaret Dumont | ... | Mrs. Wentworth | |
| Jerry Tucker | ... | Junior | |
| Matt Moore | ... | Capt. McPhail | |
| Edward Gargan | ... | Detective | |
| Matt McHugh | ... | Detective | |
| Budd Fine | ... | Pug-Ugly | |
| The Avalon Boys | ... | Quartet | |
| rest of cast listed alphabetically: | |||
| Jack Adair | ... | Federal Man (uncredited) | |
| Philip Ahn | ... | Ling (uncredited) | |
| Sam Ash | ... | Steward (uncredited) | |
| Jimmy Aubrey | ... | Cameraman (uncredited) | |
| Frank Baker | ... | Cameraman (uncredited) | |
| Bonita Barker | ... | Chorus Girl (uncredited) | |
| George Beranger | ... | Gaylord (uncredited) | |
| Eddie Borden | ... | Steward (uncredited) | |
| Myrla Bratton | ... | Chorus Girl (uncredited) | |
| Don Brookins | ... | Member of The Avalon Boys (uncredited) | |
| Jane Buckingham | ... | Dress Woman (uncredited) | |
| John Carradine | ... | Ballet Master (uncredited) | |
| Monte Carter | ... | Photographer (uncredited) | |
| G. Pat Collins | ... | Purser (uncredited) | |
| Monte Collins | ... | Deck Steward (uncredited) | |
| Heinie Conklin | ... | Reporter (uncredited) | |
| George Cooper | ... | Steward (uncredited) | |
| J. Gunnis Davis | ... | Still Cameraman (uncredited) | |
| Mary Dees | ... | Chorus Girl (uncredited) | |
| Billy Dooley | ... | Ship's Photographer (uncredited) | |
| Ben Erway | ... | Plumber (uncredited) | |
| Claudia Fargo | ... | Chorus Girl (uncredited) | |
| Neil Fitzgerald | ... | Sound Man (uncredited) | |
| Bess Flowers | ... | Woman on Deck (uncredited) | |
| Kay Gordon | ... | Chorus Girl (uncredited) | |
| Art Green | ... | Member of The Avalon Boys (uncredited) | |
| Geneva Hall | ... | Chorus Girl (uncredited) | |
| Dolly Jarvis | ... | Chorus Girl (uncredited) | |
| Lotus Liu | ... | Chinese Dancer (uncredited) | |
| Keye Luke | ... | Ching (uncredited) | |
| Jack Mulhall | ... | Purser (uncredited) | |
| Jack Norton | ... | Drunk (uncredited) | |
| Dennis O'Keefe | ... | Party Boy with Reno (uncredited) | |
| Franklin Parker | ... | Reporter (uncredited) | |
| 'Snub' Pollard | ... | Sound Truck Driver (uncredited) | |
| Oscar Rudolph | ... | Page Boy (uncredited) | |
| Fred Santley | ... | Reporter (uncredited) | |
| Rolfe Sedan | ... | Bearded Man (uncredited) | |
| Gwynne Shipman | ... | Chorus Girl (uncredited) | |
| Louise Stanley | ... | Chorus Girl (uncredited) | |
| Madeline Talcott | ... | Chorus Girl (uncredited) | |
| Phil Tead | ... | Photographer (uncredited) | |
| Walter Trask | ... | Member of The Avalon Boys (uncredited) | |
| Laura Treadwell | ... | Middle-Aged Woman (uncredited) | |
| Guy Usher | ... | Federal Man (uncredited) | |
| Dorothy Ward | ... | Chorus Girl (uncredited) | |
| Chill Wills | ... | Member of The Avalon Boys (uncredited) | |
| Harry Wilson | ... | Plug Ugly (uncredited) | |
| Betty Woods | ... | Chorus Girl (uncredited) | |
| Jane Wyman | ... | Chorus Girl (uncredited) | |
| Tammany Young | ... | Photographer (uncredited) | |
Directed by | |||
| Lewis Milestone | |||
Writing credits(in alphabetical order) | ||
| Guy Bolton | play | |
| Russel Crouse | ||
| Howard Lindsay | ||
| P.G. Wodehouse | play | |
Produced by | |||
| Benjamin Glazer | .... | producer | |
Original Music by | |||
| Phil Boutelje | (uncredited) | ||
| Friedrich Hollaender | (uncredited) | ||
| John Leipold | (uncredited) | ||
| Victor Young | (uncredited) | ||
Cinematography by | |||
| Karl Struss | |||
Film Editing by | |||
| Eda Warren | |||
Art Direction by | |||
| Hans Dreier | |||
| Ernst Fegté | |||
Set Decoration by | |||
| A.E. Freudeman | |||
Visual Effects by | |||
| Farciot Edouart | .... | special photographic effects | |
| Gordon Jennings | .... | special photographic effects (uncredited) | |
Music Department | |||
| Victor Young | .... | musical director | |
Other crew | |||
| Eugene Joseff | .... | jeweller (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb USA section |
In New York, 1936 Cole Porter was the toast of the town...in Hollywood he was just another songwriter. When RKO turned his "The Gay Divorce" into "The Gay Divorcée", "Night and Day" was the only original song kept in the film, but Fred and Ginger were given "The Continental" and "A Needle in a Haystack" to make into standards. "Anything Goes" unfortunately didn't have such luck. It was Cole Porter at his best but censorship was always going to be a problem in bringing his risqué songs to the screen. While the censors relented about the plot, an on the run gangster, Moon Face Martin, Public Enemy 13 disguising himself as a priest, the songs were scrupulously cleansed of any references to cocaine, burlesque dancers and "Holy Moses". The main songs left out were "All Through the Night", "Blow, Gabriel, Blow" and "Anything Goes" (amazingly!!) in which Ethel Merman sang a couple of lines over the opening credits.
She soon appears on a swing singing a very cleaned up version of "I Get a Kick Out of You" then confusion sets in. This is not Bing Crosby's finest moment. Charlie Ruggles is a riot as Moon Face Martin, Public Enemy No. 13 (although having seen Victor Moore in a couple of films I can imagine how funny he would have been). Crosby is mistaken for Snake Eyes Johnson, a fellow gangster - he has followed Hope Harcourt (luminous Ida Lupino) on to a liner, thinking she is being harassed by gangsters, but in reality her father has hired private investigators. There is a scene were Reno Sweeney (Merman) and Arthur Treacher start a conversation with "you do something to me" (from Porter's "50 Million Frenchmen" (1929)) - perhaps it was to convince the audience that this movie was based on a Cole Porter musical and they were in the right movie house!!! Mostly the film is filled with lack lustre, forgettable songs although "You're the Top" is sang with verve by Crosby and Merman. The finale "Shanghi De Ho" is a lavish number that looks as though it is filmed in a theatre and not on the docks as it is supposed to be. The film, to me, seemed to have a cheap look about it!!!