James Stewart plays "Truck" Cross an enlisted soldier who has been accepted into the Unites States Naval Academy at Annapolis, Maryland. Truck meets Roger "Rog" Ash (Robert Young)and ... See full summary »
Sailor Ted meets at the Lonely Hearts Club of his friend Gunny's wife, Jenny, a girl, Nora Paige, and falls in love. Nora wants to become a dancer on Broadway. Ted rescues the Pekinese of ... See full summary »
Roy Del Ruth
Now back in San Francisco after their holiday in New York, Nick and Nora find themselves trying to solve another mystery. It's New Year's Eve and they are summoned to dinner at Nora's elderly, and very aristocratic, family. There they find that cousin Selma's husband Robert has been missing for three days. Nick reluctantly agrees to look for him but the case takes a twist when Robert is shot and Selma is accused of murder. Several other murders occur but eventually Nick gathers everyone into the same room to reveal the identity of the killer. Written by
The nightclub featured in the film was loosely modeled on the famous Forbidden City, a popular San Francisco night spot from the late 1930s through the 1950s. See more »
When Dancer sees that Nora is going to use the pay phone (in the Lichee Club), he approaches the hat check girl to load her up with coins so that she can keep Nora from using the pay phone. When Dancer first approaches, the hat check girl is sitting in a chair, facing toward Dancer. Dancer continues to approach and she is now standing by the counter, facing away from him. See more »
The first "Thin Man" was great, but "After the Thin Man" is better. William Powell and Myrna Loy, as Nick and Nora Charles, are the archetype sophisticated couple. No one since has come close. Great casting of the supporting roles fills out the story exquisitely. Wow, could those old studios serve up wonderful acting for all kinds of characters! My favorite is Aunt Katherine, the battle ax to end all battles axes, played by Jessie Ralph; and Henry, the rickety old butler played by, would you believe, Tom Ricketts.
As usual, the dialog sparkles. And the story is great: a nice Dashiell Hammett whodunit with a not-too-complicated plot that leads to a surprise ending. The encounter between Nora's family and Nick -- "Poor Nora!" -- is worth the price of admission alone. I grin every time I think about it.
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