After the Thin Man (1936)

Nick investigates the case of a missing man and later a murder that is connected to Nora's family.

Director:

W.S. Van Dyke

Writers:

Frances Goodrich (screen play), Albert Hackett (screen play),

Stars:

William Powell, Myrna Loy, James Stewart

Nominated for 1 Oscar.

Cast

Complete credited cast:
William Powell	...	Nick Charles
Myrna Loy	...	Nora
James Stewart	...	David
Elissa Landi	...	Selma
Joseph Calleia	...	'Dancer'
Jessie Ralph	...	Aunt Katherine
Alan Marshal	...	Robert (as Alan Marshall)
Teddy Hart	...	Casper
Sam Levene	...	Abrams
Penny Singleton	...	Polly (as Dorothy McNulty)
William Law	...	Lum Kee
George Zucco	...	Dr. Kammer
Paul Fix	...	Phil
Asta	...	Asta
Mrs. Asta	...	Mrs. Asta

Storyline

Now back in San Francisco after their holiday in New York, Nick and Nora find themselves trying to solve another mystery. It's New Year's Eve and they are summoned to dinner at Nora's elderly, and very aristocratic, family. There they find that cousin Selma's husband Robert has been missing for three days. Nick reluctantly agrees to look for him but the case takes a twist when Robert is shot and Selma is accused of murder. Several other murders occur but eventually Nick gathers everyone into the same room to reveal the identity of the killer.

---

Plot Keywords:

murder | missing husband | new year's eve | accused of murder | chinese restaurant | 

---

Taglines:

Continuing the fun in their NEW hit!

---

Genres:

Comedy | Crime | Mystery

---

Certificate:

Approved

Details

Country:

USA

Language:

English

Release Date:

25 December 1936 (USA)

Also Known As:

A Comédia dos Acusados

Filming Locations:

Coit Tower, San Francisco, California, USA

Company Credits

Production Co:

Metro-Goldwyn-Mayer (MGM)

Technical Specs

Runtime:

112 min

Sound Mix:

Mono (Western Electric Sound System)

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

Though William Powell and Myrna Loy were very close friends off-screen, their only romantic moments together occurred on-screen. The public, however, was determined to have them married in private life as well. When the two stars showed up in San Francisco (where most of this film was shot) at the St. Francis, the hotel management proudly showed "Mr. and Mrs. Powell" to their deluxe suite. This was an especially uncomfortable moment as Jean Harlow, who was engaged to Powell, was with them, and the couple had not made a public statement about their relationship. Harlow saved the day by insisting on sharing the suite with Loy: "That mix-up brought me one of my most cherished friendships," Loy said in "Being and Becoming", her autobiography. "You would have thought Jean and I were in boarding school we had so much fun. We'd stay up half the night talking and sipping gin, sometimes laughing, sometimes discussing more serious things." Meanwhile, Powell got the hotel's one remaining room - a far humbler accommodation downstairs.

---

Goofs

As Nick shines his pen-light on the names outside the apartment building, the light falling on the wall is out of sync with his movements.

---

Quotes

Nick Charles: Have you made any New Year's resolutions?
Nora Charles: Not yet. Any complaints or suggestions?
Nick Charles: A few.
Nora Charles: Which?
Nick Charles: Complaints.
Nora Charles: All right shoot.
Nick Charles: Well, you don't scold, you don't nag, and you look far too pretty in the mornings.
Nora Charles: All right, I'll remember: must scold, must nag, musn't be too pretty in the mornings.

---

Connections

Referenced in Jeopardy!: Episode #26.15 (2009)

---

Soundtracks

"Jingle Bells"
(1857) (uncredited)
Written by James Pierpont (as J.S. Pierpont)
Played by the band on New Year's Eve

User Reviews

"Come on, let's get something to eat. I'm thirsty."

Some weeks ago I expressed my absolute enthusiasm for 'The Thin Man (1934),' a delightfully humorous murder mystery/comedy classic, starring the inimitable comedic marriage of William Powell and Myrna Loy as husband-and-wife detectives Nick and Nora Charles. This original film, after a solid box-office run and four Academy Award nominations, spawned a respectable five sequels, and a radio and television series. 'After the Thin Man' is the first of these sequels, released in 1936.

As the original trailer for the film proudly proclaims, 'After the Thin Man' brought back the three writers of the original hit (Dashiell Hammett, Frances Goodrich and Albert Hackett), the same director (W.S. Van Dyke) and, of course, the three huge film stars in Powell, Loy and, of course, Asta the dog (the wire-haired terrier whose birth-name was Skippy). True to its promise, the film is every bit as witty, hilarious and suspenseful as its predecessor, masterfully melding Nick and Nora's playful banter with another twisted mystery of love, betrayal, blackmail and murder. And look out for a memorable supporting performance from a young James Stewart, who was yet to hit it big with the likes of Frank Capra and Alfred Hitchcock.

The sequel takes place just a day or two after where 'The Thin Man' left off, as Nick and Nora prepare to depart from the train that brought them back home to San Francisco. Like the original film, the actually murder mystery is quite a messy one, though the writers have luckily decided to tone down, just slightly, the number of interwoven threads this time around. With nothing in mind but sleeping for a month, our favourite detective couple are surprised to walk into a welcome-home party held by people they don't even know, before they are invited to Nora's Aunt Katherine's (Jessie Ralph) house for dinner. Whilst there, Nora's cousin Selma (Elissa Landi) reveals that her husband, Robert (Alan Marshal), has been missing for three days.

The filmmakers have, once again, managed to round up a terrific cast to complement the talents of its two sparkling leads. I particularly enjoyed the contribution of Jessie Ralph as Aunt Katherine, who absolutely detests Nick and addresses him as "Nich-o-larse!" Nick's obsession with alcohol also continues, though he maintains his uncanny ability to switch painlessly between a drunken stupor and completely alert sobriety. The good-natured inter-marital sledging that made the original film so enjoyable still carries a razor-sharp wit, and, in one hilarious sequence, Nick even goes as far as pretending not to recognise his wife so she can be temporarily detained in a jail cell.

'After the Thin Man' is one of those very rare occasions when a sequel is good enough to sit shoulder-to-shoulder with its predecessor. A mixture of clever writing, talented directing and an infectious chemistry between the cast members worked to ensure that the partnership between Nick and Nora Charles would be a prolonged one.