Joel McCrea plays a hotshot reporter who thinks he knows everything and Jean Arthur plays an actress who puts one over on him. It turns out the financier of her play is a notorious art ... See full summary »
An industrialist (Joseph Cotton) and a pianist (Joan Fontaine) meet on a trip and fall in love. Through a quirk of fate, they are reported dead in a crash though they weren't on the plane. ... See full summary »
A lawyer whose wife has had an affair sets out to leave her by flying to LA. He becomes ever more involved in the lives of a few fellow travelers on a journey that ends up showing him as much about himself as about the others.
Movie star Collier Laing is recalled to active duty with the Army Criminal Investigation Division. His mission: to sweep debutante Marita Connell off her feet and flush out her former ... See full summary »
Joel McCrea plays a hotshot reporter who thinks he knows everything and Jean Arthur plays an actress who puts one over on him. It turns out the financier of her play is a notorious art collector who steals what he can't buy and the play he's financing is just a front for a job he is planning. Written by
After George (Joel McCrea) hears Clair (Jean Arthur) scream, he goes into the room she's been taken to and sees a child's coffin, with Clair lying on the floor. In the next shot Clair is still lying on the floor, but the child's coffin is nearly obscured from view by flowers placed in front of the casket and draped over it. See more »
Odd mix of noir and screwball that works about as well as you would expect. The noir element is obvious from the very opening scenes - this aspect of the film is quite an eye-opener and is apparently an overlooked early example of the genre - though not the earliest: The Thin Man (1934) is the earliest film I am aware of containing the classic noir elements (and also has an ungainly admixture of screwball). Anyway, as remarkable as the noir sections are in Adventure in Manhattan, the whole thing doesn't hang together, which is a great pity.
Joel McCrea is a full-of-himself writer-sleuth hired by an irritating news editor - like all news editors, on the edge of a nervous breakdown
to build up the angle on a crime story. They make heavy weather of
it. It's leaden and not cute. There's a bizarre scene where they're all eating baked beans in McCrea's bedroom. Jean Arthur is a decent actress but doesn't have the right manner for this, too steely and serious. The wisecracks come out of her mouth and hit the floor. The story is hardly redeemed by the obvious twist - and the script, the characters and the actors barely give us reason to wait for it. I was hoping it would have the good grace to finish up after 65 minutes, but it took 72.
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