Francesca and Walter are two-bit criminals in Northern Italy, and, in an effort to avoid the police, Francesca joins a group of women rice workers. She meets the voluptuous peasant rice ... See full summary »
A secretary takes her boss's car for the holiday in the Mediteranean, oddly retracing a journey she has not taken, and is recognized by people she has not met before. When a body turns up ... See full summary »
Police surround the apartment of apparent murderer Joe Adams, who refuses to surrender although escape appears impossible. During the siege, Joe reflects on the circumstances that led him to this situation.
Barbara Bel Geddes,
Jean is a young cab driver. Anna, a flower-girl neighbour, is in love with him. But he is still thinking to Pola, who just left him. Jean asks her to the bal. Many events (Pola's come back,... See full summary »
A young woman living with her family on the frontier in Quebec, Canada, endures the hardships of isolation and climate, and chooses between three suitors: a trapper, a farmer, and an ... See full summary »
Anatole Litvak's work is huge:there are German,French and American productions in an uneven filmography.Most people know for sure "Anastasia" "snake pit" and the suspenseful "sorry wrong number".His "Mayerling" was superior to Terence Young's .The weakest works came at the end of his career:"nights of the generals" "aimez-vous Brahms" or le couteau dans la plaie" are dreadful stuff.
"L'equipage" belongs to his first French period.It has been wonderfully restored and the pictures are sometimes really stunning.Litvak takes a subject as old as the hills (a love triangle) and succeeds in grabing the viewer.It takes place during WW1 .Two pilots team up (the title means "the crew");one of them is his pal's wife's lover.
The score is lovely featuring Chopin and French old military songs like "auprès de ma blonde" .
Remarkable sequences: the soldiers leaving for the war ,on a train ;the stifling atmosphere of the honky-tonk where girls dance FRench cancan;and above all (no pun intended),all the scenes in the sky where Litvak uses the planes,the submachine guns and the clouds with great skill.The last scene when the clouds turn black as Aumont is dying is still impressive by today's standards.
Fine performances by Charles Vanel (the husband)and Jean-Pierre Aumont (the lover).Annabella (who would become Tyrone Power's wife ),even by today's canons is still photogenic which is not the case of many actresses of the thirties.
NB:Aumont and Annabella were reunited in Marcel Carne's "Hôtel du Nord" but that time,they were out-shadowed by the supporting cast,Arletty and Louis Jouvet.
5 of 7 people found this review helpful.
Was this review helpful to you?