7.4/10
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The Whole Town's Talking (1935)

Approved | | Comedy, Crime, Drama | 22 February 1935 (USA)
A meek milquetoast of a clerk is mistaken for Public Enemy #1, and the notorious killer takes advantage of the situation.

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(screen play), (screen play) | 1 more credit »
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Cast

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Arthur Hohl ...
James Donlan ...
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Storyline

Ordinary man-in-the-street Arthur Ferguson Jones leads a very straightforward life. He's never late for work and nothing interesting ever happens to him. One day everything changes: he oversleeps and is fired as an example, he's then mistaken for evil criminal killer Mannion and is arrested. The resemblance is so striking that the police give him a special pass to avoid a similar mistake. The real Mannion sees the opportunity to steal the pass and move around freely and chaos results. Written by Col Needham <col@imdb.com>

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Genres:

Comedy | Crime | Drama

Certificate:

Approved | See all certifications »

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Release Date:

22 February 1935 (USA)  »

Also Known As:

Kralj gangstera  »

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Noiseless Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

This movie is the inspiration for 1998 Bollywood movie 'Duplicate' starring Shah Rukh Khan in the double role. See more »

Goofs

The story under the newspaper headline about Killer Mannion escaping from prison bears no relation to the headline and opening paragraph. See more »

Quotes

Arthur Ferguson Jones: My name isn't Jones it's Mannion. I mean it isn't Jannion it's Mones. Oh, I don't know. It's Jones! Jones, that's what it is!
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Connections

Referenced in Porky's Double Trouble (1937) See more »

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User Reviews

 
screwball comedy - by John Ford!
26 May 2006 | by (United States) – See all my reviews

It's just amazing...if he'd wanted to, Ford could've given Sturges or Hawks a run for their money. He throws himself into the timing, the riffs. And it's got that whole 30's look: fantastic back-lot town, millions of extras, Vorkapich-y montage sequence. Arthur is hysterical in her "Mannion" sequence. Both she and Robinson are brilliantly directed. And this film makes Woman in the Window and Scarlet Street possible. Who was Robinson to evoke this kind of split character so often? Tough guy, art collector...I'm not one to spend as much time with the stories of actors as the stories of directors. But it's interesting - he puts the apron on here and "feminizes" himself just like in Scarlet Street. The economy and understatement of the scene where Slugs Martin is killed is perhaps the most "Fordian" moment of the film. The chilling quality of what is not shown looks forward to films like The Searchers. By the way, I find it funny that the gangster character uses possessive pronouns before his gerunds. I guess they were better educated then...


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