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Werewolf of London (1935)

 -  Drama | Fantasy | Horror  -  13 May 1935 (USA)
6.4
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Ratings: 6.4/10 from 2,903 users  
Reviews: 69 user | 38 critic

The juice of a rare Tibetan flower is the only thing that keeps Dr. Glendon from turning into a werewolf during a full moon.

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Title: Werewolf of London (1935)

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Cast

Complete credited cast:
...
...
...
Lester Matthews ...
Lawrence Grant ...
...
Clark Williams ...
J.M. Kerrigan ...
Hawkins
Charlotte Granville ...
Lady Forsythe
...
Mrs. Whack
Zeffie Tilbury ...
Mrs. Moncaster
Jeanne Bartlett ...
Daisy
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Storyline

While on a botanical expedition in Tibet Dr. Wilfred Glendon is attacked in the dark by a strange animal. Returning to London, he finds himself turning nightly into a werewolf and terrorizing the city, with the only hope for curing his affliction a rare Asian flower. Written by Jeremy Lunt <durlinlunt@acadia.net>

Plot Summary | Add Synopsis

Plot Keywords:

flower | tibet | werewolf | moon | creature | See All (46) »

Taglines:

Beware the Stalking Being - Half-Human - Half-Beast! See more »


Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| |

Release Date:

13 May 1935 (USA)  »

Also Known As:

Unholy Hour  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Noiseless Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The werewolf howl used in this film is a combination of Henry Hull's own voice and a recording of an actual timber-wolf. The result is generally thought to have a far more realistic result than in any subsequent werewolf films, including 1941's "The Wolf-Man." See more »

Goofs

It is stated that people change into werewolves during the full moon, yet they mention that the characters will turn into werewolves for the next four nights. A full moon does not last four nights in a row, it happens only once every 29 or 30 days. See more »

Quotes

Mrs. Moncaster: Are you a single gentleman, sir?
Dr. Wilfred Glendon: Singularly single, madame. More single than I ever realized that it was possible for a human being to be.
See more »

Crazy Credits

"A good cast is worth repeating..." See more »

Connections

Referenced in X-Men 2 (2003) See more »

Soundtracks

SCENES THAT ARE BRIGHTEST
(uncredited)
from Opera MARITANA
Written by Vincent Wallace
Played at the salon of Aunt Ettie Coombes
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Draw Blood!
19 September 2001 | by (Kansas City, MO, USA) – See all my reviews

Listen to the Warren Zevon jokes fly…

The secret to telling stories in any media, be it books, plays, TV or movies, is to make the audience care about the characters. The hero of `Werewolf of London,' Wilfred Glendon (Henry Hull), manages to earn our sympathy: he's a botanist obsessed with his studies to the point where he neglects his beautiful young wife Lisa (Valerie Hobson). His ordered life disintegrates when he is attacked by a werewolf in Tibet; he realizes he is doomed to the lycanthrope's savage curse at the same time his wife begins flirting with an old flame, Paul (Lester Matthews). The logical foundation of Glendon's life flies apart, and he came face-to-face with his brutal animal nature.

`Werewolf of London,' like most of the classic Universal horror pictures, is heavy on atmosphere, lots of shadows and fog. The transformation sequences and the makeup are good, although not as proficient as `The Wolf Man' six years later. The Werewolf of London struck me as a more sinister creature than the Wolf Man in his deliberateness. The Werewolf would even wear a sort of disguise as he stalked the streets of London, using his intelligence, whereas the Wolf Man was a more savage, animalistic force that attacked anyone nearby. It makes you wonder who would win a fight between the two…

And, as is usual for the old Universal horror films, the acting is very good. Henry Hull moves from stuffy academic to tortured soul, and brings us along for the ride (reminiscent of Basil Rathbone's deterioration in `Son of Frankenstein.') Valerie Hobson is luminous as always, and Warner Oland is quietly menacing as Dr. Yogami, who has an inside knowledge of `werewolfery.'

`Werewolf of London' will probably always be in the shadow of its successor, and rightfully so. There's nothing wrong with `Werewolf,' but there also isn't anything here that `Wolf Man' doesn't do better. It's just part of the horror evolution, a lesson well learned.


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