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Werewolf of London (1935)

Approved  |   |  Drama, Fantasy, Horror  |  13 May 1935 (USA)
6.4
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Ratings: 6.4/10 from 3,113 users  
Reviews: 73 user | 38 critic

The juice of a rare Tibetan flower is the only thing that keeps Dr. Glendon from turning into a werewolf during a full moon.

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Title: Werewolf of London (1935)

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Cast

Complete credited cast:
...
...
...
Lester Matthews ...
...
...
Clark Williams ...
J.M. Kerrigan ...
Hawkins
Charlotte Granville ...
Lady Forsythe
...
Mrs. Whack
Zeffie Tilbury ...
Mrs. Moncaster
Jeanne Bartlett ...
Daisy
Edit

Storyline

While on a botanical expedition in Tibet Dr. Wilfred Glendon is attacked in the dark by a strange animal. Returning to London, he finds himself turning nightly into a werewolf and terrorizing the city, with the only hope for curing his affliction a rare Asian flower. Written by Jeremy Lunt <durlinlunt@acadia.net>

Plot Summary | Add Synopsis

Plot Keywords:

flower | tibet | werewolf | moon | creature | See All (46) »

Taglines:

Hideous Half Man, Half Beast Who Terrorized Millions! See more »


Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| |

Release Date:

13 May 1935 (USA)  »

Also Known As:

Unholy Hour  »

Box Office

Budget:

$195,393 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Noiseless Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Bela Lugossi was considered for the role of Dr. Yogami. See more »

Goofs

The arrangement of Mrs Moncaster's tumblers on the bar when she declares she's only had one drink changes between shots. See more »

Quotes

Dr. Yogami: Good day. But remember this Dr. Glendon, the werewolf instinctively seeks to kill the thing it loves best.
See more »

Crazy Credits

"A good cast is worth repeating..." See more »

Connections

Referenced in The Perfect Scary Movie (2005) See more »

Soundtracks

Music
(uncredited)
from The Black Cat (1934)
Original music and classical music arrangements by Heinz Roemheld
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Draw Blood!
19 September 2001 | by (Kansas City, MO, USA) – See all my reviews

Listen to the Warren Zevon jokes fly…

The secret to telling stories in any media, be it books, plays, TV or movies, is to make the audience care about the characters. The hero of `Werewolf of London,' Wilfred Glendon (Henry Hull), manages to earn our sympathy: he's a botanist obsessed with his studies to the point where he neglects his beautiful young wife Lisa (Valerie Hobson). His ordered life disintegrates when he is attacked by a werewolf in Tibet; he realizes he is doomed to the lycanthrope's savage curse at the same time his wife begins flirting with an old flame, Paul (Lester Matthews). The logical foundation of Glendon's life flies apart, and he came face-to-face with his brutal animal nature.

`Werewolf of London,' like most of the classic Universal horror pictures, is heavy on atmosphere, lots of shadows and fog. The transformation sequences and the makeup are good, although not as proficient as `The Wolf Man' six years later. The Werewolf of London struck me as a more sinister creature than the Wolf Man in his deliberateness. The Werewolf would even wear a sort of disguise as he stalked the streets of London, using his intelligence, whereas the Wolf Man was a more savage, animalistic force that attacked anyone nearby. It makes you wonder who would win a fight between the two…

And, as is usual for the old Universal horror films, the acting is very good. Henry Hull moves from stuffy academic to tortured soul, and brings us along for the ride (reminiscent of Basil Rathbone's deterioration in `Son of Frankenstein.') Valerie Hobson is luminous as always, and Warner Oland is quietly menacing as Dr. Yogami, who has an inside knowledge of `werewolfery.'

`Werewolf of London' will probably always be in the shadow of its successor, and rightfully so. There's nothing wrong with `Werewolf,' but there also isn't anything here that `Wolf Man' doesn't do better. It's just part of the horror evolution, a lesson well learned.


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