6.8/10
563
23 user 10 critic

The Wedding Night (1935)

Passed | | Drama, Romance | 8 March 1935 (USA)
Because his finances are low and he is seeking background for a new book, author Tony Barratt and his wife Dora return to his country home in Conneecticut. While he is finding a theme for ... See full summary »

Director:

Writers:

(an original story by) (as Edwin Knopf), (screen play)
Reviews
1 win & 1 nomination. See more awards »
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Cast

Complete credited cast:
...
...
Manya Novak
...
Fredrik Sobieski
...
Dora Barrett
...
Mr. Jan Novak (as Siegfried Rumann)
...
Mrs. Kaise Novak
Leonid Snegoff ...
Sobieski
Eleanor Wesselhoeft ...
Mrs. Sobieski (as Elinor Wesselhoeft)
Milla Davenport ...
Grandmother
...
Helena
...
Hezzie Jones
...
Bill Jenkins
Rest of cast listed alphabetically:
Alphonse Martell ...
Waiter (scenes deleted)

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Storyline

Because his finances are low and he is seeking background for a new book, author Tony Barratt and his wife Dora return to his country home in Conneecticut. While he is finding a theme for his book on the lives and customs of the local, immigrant tobacco farmers, his wife returns to New York and, alas, his Japanese servant deserts him. He meets a neighboring farm girl, Manya Novak, and hires her to cook his meals and clean his house. They soon fall in love. But, following the customs of the old country, her father has entered a 'marriage bargain' for her to wed a man, Fredrik Sobieski, not of her choosing. Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis

Taglines:

TONIGHT She'd leave the man she LOVED with all her SOUL...to MARRY the man she despised! See more »

Genres:

Drama | Romance

Certificate:

Passed | See all certifications »
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Details

Country:

Language:

|

Release Date:

8 March 1935 (USA)  »

Also Known As:

A Noite Nupcial  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Wide Range Noiseless Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

King Vidor told newspaper columnist Dan Thomas that he used temperature control in the soundstage, cranking the heat in the studio up to 80 degrees for the love scenes between Gary Cooper and Anna Sten. For the scenes in which Cooper and Sten argue, he had the studio cooled to 50 degrees. See more »

Quotes

Mr. Jan Novak: Well, I don't know how you walk, but you fall pretty good!
See more »

Soundtracks

Trail to Mexico (Bury Me Not on the Lone Prairie)
(uncredited)
Traditional ballad
Sung a cappella by Gary Cooper
See more »

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User Reviews

 
A great film
19 December 2007 | by (Santiago de Chile.) – See all my reviews

Yesterday I re-watched "The Wedding Night" (1935), this time with my wife who had never seen it before. For me it was like watching it all over again for the first time. I think that this happens with great pictures, like this one. She also loved the film and I felt so gratified by that, because sadly this type of quiet, sensitive films is not the kind of film which you can watch with anybody and can be fully appreciated as it should be.

I'm a fan of "the Gary Cooper" of the late '20s and 1930s, in my opinion some his best films were made around this time, before his definitive screen persona was established, especially in the early thirties. He gives a sensitive, balanced, nuanced, performance in a film that looks like a slice of life. His character is so unarchetypical, so honestly portrayed by him, that you get immersed totally in this beautiful love story. And this is no by chance, because the film was directed by the masterful King Vidor.

Praise must also go to the two actresses that vividly portray the two women in Cooper's life: the unjustly forgotten and underrated Russian actress Anna Sten and the equally unfairly forgotten actress Helen Vinson. Miss Vinson portrays without falling in the caricature, a shallow, but at the same time likable society woman, who thinks that life is a never-ending party and does not take marriage as seriously as it should be taken, realizing it too late. Miss Sten plays the naïve but strong-willed Polish woman who reluctantly at first, begins to fall for the writer portrayed by Cooper. The scene in which Cooper reads to her the first chapters of the new (autobiographical) book he is writing, is most telling in this aspect; because Miss Sten does not fall for the dashing, tall, handsome Cooper, but for his character's sensitiveness, feelings and emotions which she apprehends by means of this book in progress.

In short, none of the three principals of this story incur in stereotypical portrayals, which helped me to connect with their characters' emotions, with its virtues and flaws.

A wonderful experience, which with no doubt I'll repeat in the future, because this film deserves many viewings and is just my kind of film; a simple love story, unpretentiously directed, that does not aim at over sentimentality and does not fall into the maudlin which can ruin a movie, with superb, unaffected performances by the leads.


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