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An engineer is hired to plan and oversee the construction of a undersea tunnel between Europe and the US. However, certain interests don't want to see the tunnel built and use every means ... See full summary »
Olly von Flint
Engineers Richard McAllan and Frederick Robinson manage to get financial backing for a gigantic project to build a tunnel from England to America. His biggest supporter is Varlia Lloyd, daughter of one of the backers, and she uses her influence more than once to keep the project going. Mack's wife Ruth is also supportive, although his constantly being away on the tunnel project strains their marriage, and affects his relationship with their son. After years of financial skulduggery and physical obstacles under the ocean floor, the tunnel proceeds as Mack's marriage and his friendship with Robbie deteriorate. Written by
Ron Kerrigan <email@example.com>
A grimly realistic story, set in the future (as visualized in 1935), about the building of an undersea tunnel between England and America. The opening scene (a meeting of millionaires and engineers discussing the project) is reminiscent of a similar scene in `Destination Moon', though it lacks the patriotic enthusiasm.
The movie's basic message is also similar to `Destination Moon': determined men doing a big job despite colossal odds. The special effects are remarkable, the `futuristic' production designs are gorgeous, and the music is effective. There are some truly gripping moments in this fine motion picture. Especially memorable is the huge mechanism that drills the tunnel beneath the ocean.
Modern day tunneling machines are amazingly similar to the one portrayed in this 67-year-old movie. Watch the Discovery Channel's `Extreme Machines' episode about tunneling machines if you'd like to compare for yourself.
The final scene, showing cars entering the English entrance to the completed tunnel, is impressive when compared to the `chunnel' which now bridges England and Europe. `Transatlantic Tunnel' makes a great second feature for `Things to Come'.
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