Mimi Glossop wants a divorce so her Aunt Hortense hires a professional to play the correspondent in apparent infidelity. American dancer Guy Holden meets Mimi while visiting Brightbourne (... See full summary »
Aviator and band leader Roger Bond is forever getting his group fired for flirting with the lady guests. When he falls for Brazilian beauty Belinha de Rezende it appears to be for real, ... See full summary »
Dolores del Rio,
Football player John Kent tags along as Huck Haines and the Wabash Indianians travel to an engagement in Paris, only to lose it immediately. John and company visit his aunt, owner of a posh... See full summary »
Dr. Tony Flagg's friend, Steven, has problems in the relationship with his fiancee, Amanda, so he persuades her to visit Dr. Flagg. After some minor misunderstandings, she falls in love ... See full summary »
Showman Jerry Travers is working for producer Horace Hardwick in London. Jerry demonstrates his new dance steps late one night in Horace's hotel, much to the annoyance of sleeping Dale Tremont below. She goes upstairs to complain and the two are immediately attracted to each other. Complications arise when Dale mistakes Jerry for Horace. Written by
Fred Astaire supervised every other aspect of the development of a dance number from orchestration through final shooting and editing. He was particularly adamant about how a number should be filmed. He disliked interrupting the flow of the dance with unusual camera angles, cuts to the face or feet of the dancer, or reaction shots of people watching. See more »
When Jerry goes to sprinkle sand on the floor, it is obvious from the lack of carpet pattern that there is already lots of sand on the floor. See more »
[He is reading a telegram]
'Come ahead. stop. Stop being a sap. stop. You can even bring Alberto. stop. My husband is stopping at your hotel. stop. when do you start. stop.' I cannot understand who wrote this.
Sounds like Gertrude Stein.
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I'm only just now beginning to realize how silly the plot and some of the comedy was in this movie. When I watched it, it was perfectly wonderful, and I smiled all the way through. Fred and Ginger, of course, are perfect, whether dancing so memorably to the likes of "Isn't It a Lovely Day" and "Cheek to Cheek" or pitching woo. Edward Everett Horton, Eric Blore, and Helen Broderick kept it moving with their throughly entertaining comedy relief. Even almost 65 years after its premeire, it's still in tip-top condition, both in the print and in its impact, on first viewing, at least. (I'm afraid to watch it again, for fear the impact will be destroyed.)
I've seen almost all of Fred and Ginger's pictures since viewing this. Some are good, some less so, and all have their moments of excellence. But none of them matched this one in my mind for sheer feel-goodness. The ones that came closest were Swing Time, Shall We Dance, and The Story of Vernon and Irene Castle and The Barkleys of Broadway, the last two because they had quite plausible stories, (and in the case of Castle, one based on real life). But still, Top Hat is Fred and Ginger at their best, and hopefully will always stay that way in my mind.
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