7.9/10
13,771
102 user 67 critic

Top Hat (1935)

Approved | | Comedy, Musical, Romance | 6 September 1935 (USA)
An American dancer comes to Britain and falls for a model whom he initially annoyed, but she mistakes him for his goofy producer.

Director:

Writers:

(screen play), (screen play) | 1 more credit »
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Nominated for 4 Oscars. Another 2 wins & 2 nominations. See more awards »
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Cast

Complete credited cast:
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Erik Rhodes ...
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Storyline

Showman Jerry Travers is working for producer Horace Hardwick in London. Jerry demonstrates his new dance steps late one night in Horace's hotel, much to the annoyance of sleeping Dale Tremont below. She goes upstairs to complain and the two are immediately attracted to each other. Complications arise when Dale mistakes Jerry for Horace. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

See them dance the sensational Piccolino! See more »


Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

6 September 1935 (USA)  »

Also Known As:

The World by the Tail  »

Box Office

Budget:

$609,000 (estimated)

Gross:

$3,000,000 (USA)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (re-release) (re-edited)

Sound Mix:

(RCA Victor System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

In 1936, there were only three licensed Hansom Cabs in the London Area. While it is possible that Ginger managed to get one of these, it is more likely a movie thing to show the Old English Way of things. See more »

Goofs

When Horace and Bates are speaking to the hotel manager, the hook of the coat hanger that Bates is holding changes orientation between shots. See more »

Quotes

Alberto Beddini: Never again will I allow WOMEN to wear my dresses!
See more »

Connections

Referenced in The Muppet Show: Rudolf Nureyev (1978) See more »

Soundtracks

Top Hat, White Tie and Tails
(1935) (uncredited)
Words and Music by Irving Berlin
In the score during the opening credits
Song performed by Fred Astaire
Dance performed by Fred Astaire and Men's Chorus
See more »

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User Reviews

The real star of the movie
17 April 2001 | by (Minneapolis Minnesota) – See all my reviews

When whipping up the froth of a musical comedy most creators and commentators forget that fateful second word . . . COMEDY. Not to take away from Astaire & Rogers' beautiful balletic grace, but no one ever gave more comedy more modestly yet more professionally than Edward Everett Horton. His triple-barreled name alone suggests haughty dignity and sniffing puritanism, and his role in this film, as in so many others, gives him ample scope to screw up his mouth in petty disdain, look aghast at social blunders, and sputter in disbelief over the foibles of others while generously ignoring his own idiocies. Horton is a reactor, one which boosts a fairly pedestrian plot to the Moon & beyond. Like Margret DuMont with the Marx Brothers, there is something about the pernickity Horton that begs us to tilt his top hat and fling a banana peel his way just for the delightful reaction we are sure of getting. Perplexed or chagrined, the hatchet-faced Horton is a monument to the lost art of supporting clown -- those dumb bunnies and prissy busybodies that used to inhabit movies and give them life & breath even when the big-shot stars were off the screen. Horton had impeccable timing in delivering a line or flashing a double-take -- you feel he could just as easily count the nano-seconds between the neutron pulses of an atom. If he seems to intrude too much into the musical numbers of this movie it's simply because the director/editor must have been overly fond of his coy mugging. I recommend that music lovers rewatch this film and concentrate on Edward Everett Horton. Your attention will be well-rewarded with deep chuckles and an abiding affection for this New England zany.


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