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An Inn in Tokyo (1935)
"Tôkyô no yado" (original title)

7.7
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Ratings: 7.7/10 from 507 users  
Reviews: 6 user | 5 critic

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Title: An Inn in Tokyo (1935)

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Cast

Credited cast:
Takeshi Sakamoto ...
Kihachi
Yoshiko Okada ...
Otaka
Chôko Iida ...
Otsune
Tomio Aoki ...
Zenko
Rest of cast listed alphabetically:
Kazuko Ojima ...
Kuniko
...
Police man
Takayuki Suematsu ...
Masako
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Storyline

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Genres:

Drama

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Details

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Release Date:

21 November 1935 (Japan)  »

Also Known As:

An Inn in Tokyo  »

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Technical Specs

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Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The credits indicate that the script was based on an original work by a foreign writer with a name that sounds like "Winzart Monet", but it is actually a gag name, derived from "without money". See more »

Connections

Referenced in The Life and Works of Yasujiro Ozu (1983) See more »

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User Reviews

 
One of the greatest films by anyone -- ever
10 September 2003 | by (New England) – See all my reviews

I would argue that "Tokyo no yado" (Inn at Tokyo) is not only one of Ozu's best films, but one of the best films by anyone ever. It tells the story of an unemployed and homeless single father (Takeshi Sakamoto) with two sons (the elder of the two being the wonderful Tomio Aoki) looking for work in depression-era Tokyo, whose lives intersects with those of a single mother (the marvelous Yoshiko Okada) of a little daughter likewise forlornly seeking a way (and a place) to live. The children can find moments of happiness in the undustrial wasteland -- and their parents can briefly recollect their own happiness as children. The boys have a brief idyll, after their father gets a job with the help of an old friend (Choko Iida), even getting to go to school (a pleasure they value almost as much as having a fixed home and a dependable supply of food). Things, however, become troubled again when the family loses track of the mother and girl (who have not found any "angel" to help them out). A film that is strikingly beautiful -- and more than a little heart-breaking. It is marred by a tiny section that seems overly melodramatic right before the end (but this might be due to infelicities of the intertitles -- or at least of their translation).


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