In post-war Japan, a man brings a lost boy to his tenement. No one wants to take the child for even one night; finally, a sour widow, Tané, does. The next day, complaining, she takes the ... See full summary »
In 1923, in the province of Shinshu, the widow and simple worker of a silk factory Tsune Nonomiya (O-Tsune) decides to send her only son to Tokyo for having a better education. Thirteen ... See full summary »
When the patriarch of the Toda family suddenly dies, his widow discovers that he has left her with nothing but debt and married children who are unwilling to support her--except for her most thoughtful son, just returned from China.
An affluent medical professor, Komiya, and his bossy wife, Tokio, are to look after Setsuko, their high-spirited niece from Osaka. Setsuko is a liberated woman who does what she wants, ... See full summary »
The credits indicate that the script was based on an original work by a foreign writer with a name that sounds like "Winzart Monet", but it is actually a gag name, derived from "without money". See more »
I would argue that "Tokyo no yado" (Inn at Tokyo) is not only one of Ozu's best films, but one of the best films by anyone ever. It tells the story of an unemployed and homeless single father (Takeshi Sakamoto) with two sons (the elder of the two being the wonderful Tomio Aoki) looking for work in depression-era Tokyo, whose lives intersects with those of a single mother (the marvelous Yoshiko Okada) of a little daughter likewise forlornly seeking a way (and a place) to live. The children can find moments of happiness in the undustrial wasteland -- and their parents can briefly recollect their own happiness as children. The boys have a brief idyll, after their father gets a job with the help of an old friend (Choko Iida), even getting to go to school (a pleasure they value almost as much as having a fixed home and a dependable supply of food). Things, however, become troubled again when the family loses track of the mother and girl (who have not found any "angel" to help them out). A film that is strikingly beautiful -- and more than a little heart-breaking. It is marred by a tiny section that seems overly melodramatic right before the end (but this might be due to infelicities of the intertitles -- or at least of their translation).
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