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Tokyo no yado (1935)
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Overview
User Rating:
Release Date:
21 November 1935 (Japan) moreGenre:
DramaUser Comments:
One of the greatest films by anyone -- ever moreCast
(Credited cast)| Takeshi Sakamoto | ... | Kihachi | |
| Yoshiko Okada | ... | Otaka | |
| Chouko Iida | ... | Otsune | |
| Tomio Aoki | ... | Zenko | |
| rest of cast listed alphabetically: | |||
| Kazuko Ojima | ... | Kuniko | |
| Chishu Ryu | ... | Police man | |
| Takayuki Suematsu | ... | Masako | |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
Japan:80 minCountry:
JapanColor:
Black and WhiteAspect Ratio:
1.37 : 1 moreSound Mix:
SilentFun Stuff
Trivia:
The credits indicate that the script was based on an original work by a foreign writer with a name that sounds like "Winzart Monet", but it is actually a gag name, derived from "without money". moreFAQ
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I would argue that "Tokyo no yado" (Inn at Tokyo) is not only one of Ozu's best films, but one of the best films by anyone ever. It tells the story of an unemployed and homeless single father (Takeshi Sakamoto) with two sons (the elder of the two being the wonderful Tomio Aoki) looking for work in depression-era Tokyo, whose lives intersects with those of a single mother (the marvelous Yoshiko Okada) of a little daughter likewise forlornly seeking a way (and a place) to live. The children can find moments of happiness in the undustrial wasteland -- and their parents can briefly recollect their own happiness as children. The boys have a brief idyll, after their father gets a job with the help of an old friend (Choko Iida), even getting to go to school (a pleasure they value almost as much as having a fixed home and a dependable supply of food). Things, however, become troubled again when the family loses track of the mother and girl (who have not found any "angel" to help them out). A film that is strikingly beautiful -- and more than a little heart-breaking. It is marred by a tiny section that seems overly melodramatic right before the end (but this might be due to infelicities of the intertitles -- or at least of their translation).