Escaping to England from a French embezzlement charge, widower Henry Scarlett is accompanied by daughter Sylvia who, to avoid detection, "disguises" herself as a boy, "Sylvester." They are ...
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Believing a German spy has killed her new husband (Franchot Tone), Suzy, a struggling chorus girl (Jean Harlow) flees to Paris where she meets and marries a WWI pilot (Cary Grant) whose carefree ways brings about unexpected results.
Letty, a young woman who ended up pregnant, unmarried and on the streets at fifteen is bitter and determined that her child will not grow up to be taken advantage of. Letty teaches her ... See full summary »
A young man falls in love with a girl from a rich family. His unorthodox plan to go on holiday for the early years of his life is met with skepticism by everyone except for his fiancée's eccentric sister and long-suffering brother.
Beautiful young Virginian Jane steps down from her proper aristocratic upbrining when she marries down-to-earth surveyor Matt Howard. Matt joins the Colonial forces in their fight for ... See full summary »
Mountain girl Trigger Hicks, a fierce loner equally handy with a rock or a prayer, is in danger of having her faith-healing mistaken for witchcraft by the neighbors. She shows a vulnerable ... See full summary »
Escaping to England from a French embezzlement charge, widower Henry Scarlett is accompanied by daughter Sylvia who, to avoid detection, "disguises" herself as a boy, "Sylvester." They are joined by amiable con man Jimmy Monkley, then, after a brief career in crime, meet Maudie Tilt, a giddy, sexy Cockney housemaid who joins them in the new venture of entertaining at resort towns from a caravan. Through all this, amazingly no one recognizes that Sylvia is not a boy...until she meets handsome artist Michael Fane, and drama intrudes on the comedy. Written by
Rod Crawford <email@example.com>
After a disastrous preview, director George Cukor and Katharine Hepburn went to RKO producer Pandro S. Berman's home and offered their services for free for another film. Berman, who was furious at the quality of the movie, replied tersely, "Don't bother please." See more »
In the scene in which Sylvia and Michael are having a conversation and then lie down to go to sleep, their conversation continues though their lips have stopped moving. See more »
I loved it when the characters became the traveling show. I thought I had read about Cary Grant entertaining in the English music halls (before he went to Hollywood?), so it seemed like he was such a natural for this hilarious scene. When I saw the characters starting to sing and dance, I was very happy. Cary Grant's character was having a good old time, and he looked like he was having a lot of fun. Katharine Hepburn's character was taking part in the hi-jinks, as well as her father and the maid. All dressed in their clown costumes made me wish there were more of these vaudeville frivolities. The makeup transformation of Katharine Hepburn into a boy is just fabulous, and the scene where she becomes a young lady for Brian Aherne is exceedingly convincing and lovely. She is just great at doing these chameleon changes.
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