Leo Vincey, told by his dying uncle of a lost land visited 500 years ago by his ancestor, heads out with family friend Horace Holly to try to discover the land and its secret of immortality... See full summary »
Leo Vincey, told by his dying uncle of a lost land visited 500 years ago by his ancestor, heads out with family friend Horace Holly to try to discover the land and its secret of immortality, said to be contained within a mystic fire. Picking up Tanya, a guide's daughter, in the frozen Russian arctic, they stumble upon Kor, revealed to be a hidden civilization ruled over by an immortal queen, called She, who believes Vincey is her long-lost lover John Vincey, Leo's ancestor. Written by
Doug Sederberg <email@example.com>
Helen Gahagan, a Broadway actress and sometime opera singer, was cast in the title role after an extensive talent search. Although the film made her famous, her screen presence was so negligible that it proved to be her only starring role. See more »
When the Amahaggar Chief (Noble Johnson) falls to his death by being shoved into a fiery pit, you can see his feet bounce up just before the cut as he lands on an off screen mattress. See more »
I have very happy memories of this movie, which I finally saw in a revival house in New York City in the early Nineties, after many years of its unavailability due to the Hammer remake. This much more idiosyncratic version from the Thirties owes a lot of its atmosphere and stylish elan to the extraordinary Bauhaus-inspired sets, the Max Steiner score, and Helen Gahagan's majestically mannered performance as She Who MUST Be Obeyed. It's a film very much of its time yet there is also a timeless, haunting quality to certain sequences. It has very little to do with Rider Haggard's novel (which is a great favorite of mine) but once I realized this was going to be a different story altogether I didn't care.
The theatre that showed this was packed for a mid afternoon screening, and the audience reacted with tremendous enthusiasm to this classic film. If you have a taste for such great 1930s epics as King Kong, Gunga Din, and King Solomon's Mines, you will enjoy it as well. The 1965 version with Ursula Andress, Peter Cushing and Christopher Lee is fun as well but has even less to do with the themes of Haggard's original novel. It does however have a more up to date feel for those who care about glossy production values.
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