One dark summer night, Francesca Cunningham, a once world famed pianist, escapes from her hospital room and tries to commit suicide by jumping off a local bridge. She is rescued and taken ... See full summary »
The lives of numerous people over the course of 20 years in 19th century France, weaved together by the story of an ex-convict named Jean Valjean on the run from an obsessive police inspector, who pursues him for only a minor offense.
Those five are unemployed penniless workers. Together they win 100,000 Francs with the national lottery. Instead of sharing the money, they buy a ruin and build an open-air cafe. But ... See full summary »
In this fictionalized biography, young Pancho Villa takes to the hills after killing an overseer in revenge for his father's death. In 1910, he befriends American reporter Johnny Sykes. ... See full summary »
The work of a progressive female psychiatrist and her colleague at a mental hospital is threatened by the arrival of a conservative new supervisor, who disapproves of both her methods and the fact that she is a woman in a "man's field."
Gregory La Cava
George Antheil composed a rejected score and is not credited, but this title still features as one of his film scores in reference books. His score was replaced with stock music and excerpts from Sergei Rachmaninoff's Second Piano Concerto. See more »
She's the only woman I've ever met who seems shallower and more superficial than I am. It'll be a perfect match: two empty paper bags, belaboring each other.
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Unlike children, "The Scoundrel" should be heard and not seen. This very disappointing movie has a terrific script, containing dialogue delivered the way only Noel Coward could deliver it. Those familiar with his witty, supercilious delivery are in for a treat, and the team of Hecht-MacArthur have spread enough to go around to the entire cast.
Having said that, the acting in this picture was so bad as to be almost embarrassing, overwrought to the point of ham. Coward himself seems uncomfortable when not reciting his lines and seems to say them unnaturally, as though from memory and not as an actor would. The rest of the cast follows suit and seems bedazzled by his presence.
I find it astounding that this picture won an Academy Award (Worst Idea For A Motion Picture?) as the film starts out OK but quickly descends into goofy fantasy and ultimately into maudlin burlesque. Several actors are miscast and flounder about, except for Stanley Ridges, who plays the boyfriend of the girlfriend. "The Voice", Lionel Stander, as a poet? Come on. A hit-man, maybe, but not a poet. Ditto Eduardo Ciannelli. The best that can be said, apart from the dialogue, is that it is mercifully short at 76 minutes - but bring a blindfold.
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