| Paul Robeson | ... | Bosambo | |
| Leslie Banks | ... | Commissioner R.G. Sanders | |
| Nina Mae McKinney | ... | Lilongo | |
| Robert Cochran | ... | Lieutenant Tibbets (as Robert Cochrane) | |
| Martin Walker | ... | J. Ferguson | |
| Richard Grey | ... | Captain Hamilton | |
| Tony Wane | ... | King Mofolaba | |
| Marqués De Portago | ... | Farini (as Marquis De Portago) | |
| Eric Maturin | ... | Smith | |
| Allan Jeayes | ... | Father O'Leary | |
| Charles Carson | ... | Governor of the Territory | |
| Luao | ... | Chief of the Wagenia [Congo] Tribe | |
| Kilongalonga | ... | Chief of the Wagenia [Congo] Tribe | |
| Oboja | ... | Chief of the Acholi Tribe | |
| Members of Acholi Tribe | ... | Themselves (as Members of the Acholi Tribe) | |
| Members of the Sesi Tribe | ... | Themselves | |
| Members of the Tefik Tribe | ... | Themselves | |
| Members of the Juruba Tribe | ... | Themselves | |
| Members of the Mendi Tribe | ... | Themselves | |
| Members of the Kroo Tribe | ... | Themselves | |
| rest of cast listed alphabetically: | |||
| Robert Adams | ... | Minor Role (uncredited) | |
| Joe Cozier | ... | (uncredited) | |
| Bertrand Frazer | ... | Makara (uncredited) | |
| Beresford Gale | ... | Topolaka (uncredited) | |
| Jomo Kenyatta | ... | Tribal Chief (uncredited) | |
| Orlando Martins | ... | K'Lova (uncredited) | |
| Anthony Papafio | ... | Bosambo's Son (uncredited) | |
| James Solomon | ... | Kaluba (uncredited) | |
| John Thomas | ... | Obiboo (uncredited) | |
| Deara Williams | ... | Daughter of Bosambo and Lilongo (uncredited) | |
Directed by | |||
| Zoltan Korda | |||
Writing credits(in alphabetical order) | ||
| Lajos Biró | adaptation | |
| Jeffrey Dell | adaptation | |
| Edgar Wallace | story | |
| Arthur Wimperis | additional dialogue | |
Produced by | |||
| Alexander Korda | .... | producer | |
Original Music by | |||
| Mischa Spoliansky | (as Michael Spolianski) | ||
Cinematography by | |||
| Osmond Borradaile | |||
| Louis Page | |||
| Georges Périnal | |||
Film Editing by | |||
| Charles Crichton | |||
Production Management | |||
| G.E.T. Grossmith | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Stanley Irving | .... | assistant director | |
Sound Department | |||
| D. Field | .... | sound | |
| L. Fisher | .... | sound | |
| J. Paddon | .... | sound | |
| A.W. Watkins | .... | recording director | |
Visual Effects by | |||
| W. Percy Day | .... | matte painter | |
Camera and Electrical Department | |||
| Bernard Browne | .... | camera operator | |
Editorial Department | |||
| William Hornbeck | .... | supervising editor | |
Music Department | |||
| Muir Mathieson | .... | musical director | |
Other crew | |||
| Cecil Grosse | .... | technical advisor | |
| C.O. 'Squash' Lemon | .... | technical advisor | |
| C. Wallace | .... | technical advisor (as Major C. Wallace) | |
| Alfred Hitchcock | .... | director of the first stages (uncredited) | |
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| The Four Feathers | Torpedoed | The Four Feathers | Her Jungle Love | Squanto: A Warrior's Tale |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb UK section |
In reviewing films involving African-Americans in chronological order for Black History Month, it's now 1935 when singer/actor Paul Robeson has gone to England for this movie produced by Alexander Korda's London Films with direction by Korda's brother Zoltan. It takes place and is partially filmed in Africa and concerns a British colonialist (Leslie Banks) who places Robeson in charge of keeping peace among various tribes especially when the tribal king (Tony Wane) seems intent on abusing his power. Later on, Robeson meets Nina Mae McKinney and makes her his wife and they have a couple of kids. I'll stop there and just say despite some questionable politics that permeate the film, this was quite a rousing adventure to watch what with many of the wonderful scenery along the countryside with various beautiful animal shots not to mention the wonderful singing voices of Robeson and, in one instance, Ms. McKinney. And the sequences of the tribes, whether chanting or going into battle, bring plenty of excitement to bear. So on that note, Sanders of the River is at the very least, well worth a look.