A lawyer who is planning to run for District Attorney accidentally kills a gangster who owns the nightclub where the attorney's girlfriend is a singer. Although he manages to cover up his ... See full summary »
Paul Robeson narrates a mix of dramatizations and archival footage about the bill of rights being under attack during the 1930s by union busting corporations, their spies and contractors. ... See full summary »
A minister is malevolent and sinister behind his righteous facade. He consorts with, and later extorts from, the owner of a gambling house, and betrays an honest girl, eventually driving ... See full summary »
Set in the India of the British Raj. All the Indians are portrayed as untrustworthy, plotting to overthrow their British masters. The only 'loyal' Indian is Prince Azim who tries to warn ... See full summary »
Resigning his commission on the eve of his unit's deployment against Egyptian rebels, a British officer seeks to redeem his cowardice by secretly aiding his former comrades - disguised as ... See full summary »
C. Aubrey Smith
British District Officer in Nigeria in the 1930's rules his area strictly but justly, and struggles with gun-runners and slavers with the aid of a loyal native chief. Written by
Michael Crew <email@example.com>
This film had originally started as a project Alexander Korda assigned to be directed by Alfred Hitchcock, called "Wings of the Jungle". Hitchcock was only minimally involved in the earliest stages. See more »
Paul Robeson's chest hair comes and goes, from one sequence to another. See more »
"Sanders of the River" is trapped in the time of its creation like an insect in amber, but it's worth seeing if only to understand the expectations of that time.
The British characters are supposed to be the heroes of the tale, but they are wooden and unsympathetic, even interchangeable. It is impossible to care about them. They even chase animals from a plane Just For Fun.
Africans are portrayed as simple minded, but they are also clearly loyal, brave, loving individuals with some (limited) depth to them, which is more than can be said of the cardboard cut-out white characters. In fact, the real rotters of the tale are trouble-making whites.
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