In this reworking of "No, No, Nanette," wealthy heiress Nanette Carter bets her uncle $25,000 that she can say "no" to everything for 48 hours. If she wins, she can invest the money in a ... See full summary »
A young working girl must suport her family on only five dollars a week. The strain of trying to feed, house and clothe her mother, her father and three brothers finally gets to be too much... See full summary »
"This independent film, a slice-of-barrio- life that was shot and exhibited in South Texas. It is a compelling film about the dilemmas facing a young Chicano in the spring of 1972 amid the ... See full summary »
Margarita Armando de Hoyas
SHOWS THE LIFE OF A NEGRO GIRL IN WATTS, Los Angeles, California. PRESENTS HER OBSERVATIONS ABOUT LIFE IN A SEGREGATED COMMUNITY, EXPRESSING SOME OF THE HOPES and FRUSTRATIONS OF THE NEGRO ... See full summary »
While visiting Paris in 1908, upper class Lord Burnstead loses his butler playing poker. Egbert and Effie Floud bring Ruggles back to Red Gap, Washington. Effie wants to take advantage of Ruggles' upper class background to influence Egbert's hick lifestyle. However, Egbert is more interested in partying and he takes Ruggles to the local 'beer bust'. When word gets out that "Colonel Ruggles is staying with his close friends" in the local paper, the butler becomes a town celebrity. After befriending Mrs. Judson, a widow who he impresses with his culinary skills, Ruggles decides to strike out on his own and open a restaurant. His transition from servant to independent man will depend on its success. Written by
Gary Jackson <email@example.com>
Stoic British dignity versus the rambunctious Old West
This certainly is a hilarious study of opposites -- staid British decorum transplanted to America's rough and tumble Old West. Laughton's excursion into comedy is along the buffoonery line at times (said with all due respect, of course) and anyone can see his true talent lies in drama. I'd say the real scene stealer is Charles Ruggles as Egbert who displays a wry wit all his own as he endures his wife's determined efforts to remodel him. His choice of words are so amusing: "Hey cab, give us one with a horse on it," and, to his wife when dining, "Effie, what you need is some of this imprisoned laughter of the pleasant maids of France." Also, it brought back memories to hear the old song, "By the Light of the Silver Moon" sung by Nell in the movie. A very comical film that's enjoyed more each time you see it.
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