Fisherman Dutch marries cannery worker Hattie. He quits his poorly paid job to concentrate on getting better working conditions as union leader. Unfortunately, the union members disagree ...
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Believing a German spy has killed her new husband (Franchot Tone), Suzy, a struggling chorus girl (Jean Harlow) flees to Paris where she meets and marries a WWI pilot (Cary Grant) whose carefree ways brings about unexpected results.
Raymond Dabney returns to his family after trouble with the law. He convinces the sheriff to give him a job watching the house and furniture of widow Crystal Wetherby without knowing she is... See full summary »
A newspaper man, his ignored fiancée, and his former employee a down on his luck reporter hatch an elaborate scheme to turn a false news story into the truth, to stop a high-society woman from suing for libel.
Fisherman Dutch marries cannery worker Hattie. He quits his poorly paid job to concentrate on getting better working conditions as union leader. Unfortunately, the union members disagree with Dutch's ideas and kick him out. Without a job or union card to get another he leaves Hattie to look for work. Hattiee steals money to help him when she learns he is really down on his luck and she goes to jail. He gets a new job, foils a plot to dynamite the ship, and promises to wait for Hattie. Written by
Ed Stephan <firstname.lastname@example.org>
This was the first of six features Spencer Tracy and Mickey Rooney made together. The last was "It's a Mad, Mad, Mad, Mad World," made 27 years later. See more »
During the prison escape when Harlow and friend hop into the getaway car, the seat backs are already wet before the two drenched escapees get into the auto. Obviously this was a second or third take of this scene. See more »
...but I guess the title "Riffraff" would do as well as anything else MGM could have come up with - but it's not very descriptive. Hattie (Jean Harlow) is a cannery worker in love with Dutch (Spencer Tracy), a very good fisherman and also a tremendous blow-hard. He fancies himself the leader of some future workers' revolution. Hattie lives with her extended family including sister Lil (Una Merkel) and Lil's husband and two kids, with the son being played by a mischievous Mickey Rooney. Dutch doesn't treat Hattie very well - they spend most of their time arguing, and to complicate matters she has caught the eye of wharf boss Nick (Joseph Calleia).
However, between arguments, Dutch and Hattie do manage to get married. Some have asked whatever Hattie saw in a selfish windbag like Dutch, but if a coherent 500 word essay was a prerequisite for love it would be the end of the human race, and I have seen odder pairings in real life that worked. They are married only a few months when Dutch decides he was meant for bigger and better things, and he tells Hattie he is leaving her - for awhile - to find his destiny. She understandably doesn't take this well, and he gets the last word in by saying that it's goodbye for keeps. Thus begins the long melodrama of these two apart as Dutch's plans don't exactly work out as he figured and an impulsive act by Hattie meant to aid Dutch in a time of trouble and that act's repercussions show Dutch how selfish he has been and how much she really means to him.
In spite of the melodrama, there really are no bad guys here. Even lecherous Nick is likable in his own way, and his conversations with his lawyer are particularly humorous. Thus this film is pure Depression-era entertainment in the MGM tradition. It has many of the familiar building blocks of 30's MGM dramas, but they are assembled in a rather quirky way such that this is nothing that will change the world, but it's still very interesting. The cast is outstanding with good performances by all. Especially notable is Una Merkel's performance as loyal sister Lil who manages to be simultaneously feisty and frumpy.
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