In 1917 Lt. Bill Gordon is headed for France when he meets and becomes friendly with Joel Carter, niece of the Asst. Secretary of War. Finding out that he is an expert on codes, she gets ...
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Sherwood Nash is a swindler who bootlegs Paris fashions for sale at cut-rate prices. His assistant Lynn poses as An American interested in a dress and Snap conceals a camera in his cane. ... See full summary »
A male Polish secret agent and a female Russian secret-police spy smuggle messages to St. Petersburg in candlesticks. While chasing after stolen candlesticks they discover each other's ... See full summary »
In 1917 Lt. Bill Gordon is headed for France when he meets and becomes friendly with Joel Carter, niece of the Asst. Secretary of War. Finding out that he is an expert on codes, she gets her uncle to cancel Bill's orders and has him reassigned to break enemy codes. In his new assignment he becomes involved with beautiful Russian spy Olivia Karloff, who is working for the Germans, and must juggle Joel's affection and his pursuit of Karloff's connections to retrieve a stolen code book. Written by
Ron Kerrigan <firstname.lastname@example.org>
This film was first telecast in Los Angeles Friday 15 March 1957 on KTTV (Channel 11), followed by Philadelphia Monday 13 May 1957 on WFIL (Channel 6); but its New York City television premiere did not occur until Sunday 17 May 1959 on WCBS (Channel 2); in San Francisco it was first telecast 9 November 1959 on KGO (Channel 7). See more »
In the opening scene when the German U-boat is preparing to torpedo the warship, the view through the periscope has the ship moving left to right. When the torpedo strikes, the ship is moving from right to left. The torpedo explosion is on the near (port side) rather than the far (starboard) where it would have struck in the original scene. See more »
If you like William Powell enough (or another actor in this film) and its venue, you may flow with it. It is a weaker one to my view, and while not a throwaway, not really picked up by anyone in particular. The character Russell played was incongruous and annoying, though she was probably refreshing as a newcomer. There's a bit too much overdone flip and horsiness about her performance here and in a lot of her pictures, to my taste. Likely, it's a script flaw, but given the level of weight of the decoding project at hand, her stunts are incongruous at best. The fact that she had such easy access is also unbelievable, despite her connections by relation. Also, she doesn't really work with Powell's character. After about her third shenanigan, I think, that's it for her. He'll move on. But he trots right along and they end up together. What? That a man of his caliber would hook up with a loose cannon like that just really doesn't work. And they aren't believable together. Binnie Barnes' character, though the villainess, was easier to take down, being consistent and well enough done. This essentially war picture has its interest, but I can't say after one more run through, I would care to repeat. But I do hang onto my classics and after some time, enjoy going back for just the era and actors. One can always ogle the clothes if nothing else.
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