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Reckless (1935)

Passed  -  Drama | Musical | Comedy  -  19 April 1935 (USA)
6.6
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Ratings: 6.6/10 from 526 users  
Reviews: 18 user | 9 critic

Wealthy Bob Harrison buys all the seats in the theatre to watch Mona Leslie's musical by himself. He loves her, her agent Ned Riley loves her. Conflict ensues.

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Writers:

(screen play), (from a story by), 3 more credits »
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Title: Reckless (1935)

Reckless (1935) on IMDb 6.6/10

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Cast

Cast overview, first billed only:
...
Mona Leslie
...
Ned Riley
...
Bob Harrison
...
Granny
Ted Healy ...
Smiley
Nat Pendleton ...
Blossom
...
Josephine (Jo) Mercer
...
Eddie
Henry Stephenson ...
Colonel Harrison
Man Mountain Dean ...
Man Mountain Dean - Wrestler (as Man-Mountain Dean)
Robert Light ...
Paul Mercer
...
Allan
Carl Randall ...
Carl Randall
Louise Henry ...
Louise
James Ellison ...
Dale Every
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Storyline

Wealthy Bob Harrison buys all the seats in the theatre to watch Mona Leslie's musical by himself. He loves her, her agent Ned Riley loves her. Conflict ensues. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Taglines:

Metro-Goldwyn-Mayer's Mammoth Musical Melodrama

Genres:

Drama | Musical | Comedy

Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

19 April 1935 (USA)  »

Also Known As:

Reckless  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Hans Steinke walked off the set when director Victor Fleming instructed Man Mountain Dean to sit on him. He was replaced by wrestler Ernie Haynes. See more »

Goofs

As Ned, Smiley and Blossom leave a betting parlor with winnings from horse betting, they pass a jewelry shop's window display of wedding rings with a candle on each side. The candle on the right is tilted at a 45 degree angle. Both candles are vertical in the next shot. See more »

Quotes

Mona Leslie: [Spoken introduction to the song, Reckless] What'll you ever be? What'll you ever do? How will you ever know if you don't take a chance?
Chorus: You have got to gamble with fate.
Mona Leslie: [singing] I wanna live, love, learn a lot. I'll light my candle and I'll burn a lot.
Chorus: You'll have some bad shots, hard knocks!
Mona Leslie: I'm on my own if I bruise.
Chorus: And there'll be smiles here, shouts here!
Mona Leslie: And I can take it on the chin if I lose, because I'm reckless!
Chorus: She's simply reckless!
Mona Leslie: Reckless!
Chorus: She's simply reckless!
[...]
See more »

Connections

Referenced in Queer as Folk: Episode #4.2 (2004) See more »

Soundtracks

Reckless
(1935)
Music by Jerome Kern
Lyrics by Oscar Hammerstein II
Played during the opening and closing credits
Sung by Jean Harlow (uncredited) (dubbed by Virginia Verrill (uncredited)) in a production number
Danced by Jean Harlow (uncredited), Rafael Storm (uncredited) and chorus
Sung by Nina Mae McKinney (uncredited)
Reprised by the band at Jo's Wedding with Jean Harlow (uncredited) dancing
Played as background music often
See more »

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User Reviews

 
A sharp right turn
25 September 2005 | by (United States) – See all my reviews

William Powell, Jean Harlow, and May Robson are absolute delights in "Reckless," a movie which starts out on the light side and then suddenly turns into a drama, continues down the drama road and ends at melodrama, '30s style. Powell and Harlow have wonderful chemistry. Both were natural, charismatic, and energetic performers. May Robson is a riot as Granny, and her scenes with Powell are gems.

Franchot Tone plays a millionaire playboy crazy over Harlow; Powell loves her but doesn't come out and say it. It's a very old formula, but that doesn't matter. The film is interspersed with several musical numbers that aren't particularly inspiring. Harlow's singing is dubbed, and I suspect the actual dancing parts of her dancing were also. Who cares - she just radiated beauty, warmth, and vulnerability in everything she did. The musical sections were apparently thrown in after the film was made.

I can't write for anyone else, but I was surprised when the film made its dramatic turn - and without giving anything away, particularly surprised Harlow went for it, until I read that she turned the film down because of it. William Powell convinced her to take the role. By the end of the film, we're in melodrama land. But the two stars pull it off, though it is truly ridiculous.

A young Rosalind Russell has a supporting role and essays it beautifully. It's not a great movie, but the people in it surely are.


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