| Boris Karloff | ... | Edmond Bateman (as Karloff) | |
| Bela Lugosi | ... | Dr. Richard Vollin | |
| Lester Matthews | ... | Dr. Jerry Halden (Credits) / Dr. Jerry Holden | |
| Irene Ware | ... | Jean Thatcher | |
| Samuel S. Hinds | ... | Judge Thatcher | |
| Spencer Charters | ... | Geoffrey (Credits) / Col. Bertram Grant | |
| Inez Courtney | ... | Mary Burns | |
| Ian Wolfe | ... | Col. Bertram Grant (Credits) / Geoffrey 'Pinky' | |
| Maidel Turner | ... | Harriet | |
| rest of cast listed alphabetically: | |||
| Anne Darling | ... | Autograph Hound (scenes deleted) | |
| June Gittelson | ... | Autograph Hound (scenes deleted) | |
| Joe Haworth | ... | Drug Clerk (scenes deleted) | |
| Mary Wallace | ... | Autograph Hound (scenes deleted) | |
| Raine Bennett | ... | Poe (uncredited) | |
| Al Ferguson | ... | The Crook (uncredited) | |
| Nina Golden | ... | Dancer (uncredited) | |
| Jonathan Hale | ... | Bedside Dr. at Jerry's Right (uncredited) | |
| Arthur Hoyt | ... | Chapman - Buyer of Poe Memorabilia (uncredited) | |
| Walter Miller | ... | Bedside Dr. at Judge's Right (uncredited) | |
| Bud Osborne | ... | Policeman (uncredited) | |
| Madeline Talcott | ... | Bedside Nurse (uncredited) | |
| Cyril Thornton | ... | Dr. Vollin's Butler (uncredited) | |
Directed by | |||
| Lew Landers | (as Louis Friedlander) | ||
Writing credits | ||
| Edgar Allan Poe | (poem) | |
| David Boehm | (screenplay) | |
| Florence Enright | (dialogue) uncredited | |
| Michael L. Simmons | (contributing writer) uncredited and | |
| Dore Schary | (contributing writer) uncredited and | |
| Guy Endore | (contributing writer) uncredited and | |
| Clarence Marks | (contributing writer) uncredited and | |
| Jim Tully | (contributing writer) uncredited and | |
| John Lynch | (contributing writer) uncredited | |
Produced by | |||
| David Diamond | .... | associate producer | |
| Stanley Bergerman | .... | executive producer (uncredited) | |
Original Music by | |||
| Clifford Vaughan | (uncredited) | ||
Cinematography by | |||
| Charles J. Stumar | (photographer) (as Charles Stumar) | ||
Film Editing by | |||
| Albert Akst | |||
Art Direction by | |||
| Albert S. D'Agostino | |||
Makeup Department | |||
| Otto Lederer | .... | makeup artist (uncredited) | |
| Jack P. Pierce | .... | makeup designer (uncredited) | |
| Hazel Rogers | .... | hair stylist (uncredited) | |
Second Unit Director or Assistant Director | |||
| Scott R. Beal | .... | assistant director (uncredited) | |
| Victor Noerdlinger | .... | assistant director (uncredited) | |
Visual Effects by | |||
| John P. Fulton | .... | process photography (uncredited) | |
Editorial Department | |||
| Maurice Pivar | .... | supervising editor (uncredited) | |
Music Department | |||
| Gilbert Kurland | .... | music supervisor | |
| C. Bakaleinikoff | .... | conductor (uncredited) | |
| W. Franke Harling | .... | composer: stock music (uncredited) | |
| Heinz Roemheld | .... | composer: stock music (uncredited) | |
| Clifford Vaughan | .... | orchestrator (uncredited) | |
Other crew | |||
| Florence Enright | .... | dialogue director | |
| Theodore Kosloff | .... | dance arranger | |
| Carl Laemmle | .... | president: Universal Pictures Corp. | |
| George DeNormand | .... | double: Bela Lugosi (uncredited) | |
| Ed Haskett | .... | supervising secretary (uncredited) | |
| Moree Herring | .... | script clerk (uncredited) | |
| Monte Montague | .... | double: Boris Karloff (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
Karloff gets the top billing in this second feature pairing both horror stars, but it is Bela Lugosi all the way who steals each and every scene he is in. Lugosi is incredible in his over-the-top performance of a morbid, obsessed doctor and Poe aficionado. Each line he utters with flair and gusto, each movement an outrageous, maniacal gesture. He is truly a ham, and an enjoyable one at that. Karloff is quite good as a killer, and the only compassionate character in the story. He is disfigured by Lugosi, so he will kill for the mad doctor. One of the best scenes is Lugosi leaving his patient to see his handiwork. Karloff shoots through several mirrors after realizing the atrocities committed on him, and from a door in the roof of the room.....Lugosi peers through and laughs...laughs with coldness, cruelty, and hysteria. The rest of the film is devoted to Lugosi utilizing his Poe recreations of torture...and I must confess as an earlier reviewer noted that you really feel little sympathy for the other characters involved...and at one point I wanted the pendulum to win. You must see this film as it is the second best of the Karloff/Lugosi pairings...but it really is a Lugosi film.