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The Raven (1935)

 -  Horror  -  8 July 1935 (USA)
7.1
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Ratings: 7.1/10 from 2,485 users  
Reviews: 64 user | 41 critic

A brilliant surgeon obsessed with Poe saves the life of a beautiful dancer and goes mad when he can't have her.

Director:

(as Louis Friedlander)

Writers:

(poem), (screenplay), 7 more credits »
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Title: The Raven (1935)

The Raven (1935) on IMDb 7.1/10

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Cast

Complete credited cast:
...
Edmond Bateman (as Karloff)
...
Lester Matthews ...
Dr. Jerry Halden (Credits) / Dr. Jerry Holden
Irene Ware ...
Jean Thatcher
Samuel S. Hinds ...
Judge Thatcher
Spencer Charters ...
Geoffrey (Credits) / Col. Bertram Grant
...
Mary Burns
...
Col. Bertram Grant (Credits) / Geoffrey 'Pinky'
Maidel Turner ...
Harriet
Rest of cast listed alphabetically:
Anne Darling ...
Autograph Hound (scenes deleted)
June Gittelson ...
Autograph Hound (scenes deleted)
Joe Haworth ...
Drug Clerk (scenes deleted)
Mary Wallace ...
Autograph Hound (scenes deleted)
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Storyline

A wealthy judge coaxes the brilliant but eccentric neurological surgeon Dr. Vollin (Lugosi), who also has an obsessive penchant for Edgar Allen Poe, out of retirement to save the life of his daughter, a dancer crippled and brain damaged in an auto wreck. Vollin restores her completely, but also envisions her as his "Lenore," and cooks up a scheme to kidnap the woman and torture and kill her fiance' and father in his Poe-inspired dungeon. To do his dirty work, Vollin recruits a wanted criminal (Karloff), and turns him into a hideous monster to guarantee his subservience. Written by Kevin Rayburn <kprayb01@homer.Louisville.edu>

Plot Summary | Add Synopsis

Taglines:

While this mad surgical genius chanted "The Raven," horrible screams rose up from his torture chamber below!

Genres:

Horror

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

8 July 1935 (USA)  »

Also Known As:

The Raven  »

Box Office

Budget:

$115,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Noiseless Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Part of the original SHOCK THEATER package of 52 Universal titles released to television in 1957, followed a year later with SON OF SHOCK, which added 21 more features. See more »

Goofs

When Judge Thatcher goes to Vollin's home to plead his case, the shadow of Vollin's stuffed raven changes position. First, it is in front of Thatcher's shadow, then behind, then in front again. See more »

Quotes

Dr. Richard Vollin: Poe, you are avenged!
See more »

Crazy Credits

The names of Spencer Charters and Ian Wolfe were accidentally reversed in the credits. See more »

Connections

Featured in Creature Features: The Raven/Dracula's Daughter (1970) See more »

Soundtracks

Romeo and Juliet Overture
(uncredited)
Written by Pyotr Ilyich Tchaikovsky
Arrangements by Heinz Roemheld
Played as background music at the end
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Lugosi is Incredible!
17 November 1999 | by (NC) – See all my reviews

Karloff gets the top billing in this second feature pairing both horror stars, but it is Bela Lugosi all the way who steals each and every scene he is in. Lugosi is incredible in his over-the-top performance of a morbid, obsessed doctor and Poe aficionado. Each line he utters with flair and gusto, each movement an outrageous, maniacal gesture. He is truly a ham, and an enjoyable one at that. Karloff is quite good as a killer, and the only compassionate character in the story. He is disfigured by Lugosi, so he will kill for the mad doctor. One of the best scenes is Lugosi leaving his patient to see his handiwork. Karloff shoots through several mirrors after realizing the atrocities committed on him, and from a door in the roof of the room.....Lugosi peers through and laughs...laughs with coldness, cruelty, and hysteria. The rest of the film is devoted to Lugosi utilizing his Poe recreations of torture...and I must confess as an earlier reviewer noted that you really feel little sympathy for the other characters involved...and at one point I wanted the pendulum to win. You must see this film as it is the second best of the Karloff/Lugosi pairings...but it really is a Lugosi film.


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