Pluto chases a kitten through a window and right into Mickey's lap. Mickey scolds him, and goes off to wash the kitten. Pluto falls asleep in front of the fire, and dreams of a hell ruled ...
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Mickey, Donald and Goofy are fire fighters. As you might expect, their attempts at fighting a boarding house fire are not particularly effective. They hear Clarabelle singing in the bathtub... See full summary »
Mickey shows off his ice-skating skills to Minnie; Goofy does some unconventional ice fishing; Donald straps skates to Pluto and laughs at his attempts to skate. Donald gets strapped to a ... See full summary »
Mickey has been reading Lewis Carroll's "Through the Looking-Glass, and What Alice Found There", and falls asleep. He finds himself on the other side of the mirror, where the furniture is ... See full summary »
Donald Duck visits a museum of modern inventions; among the inventions he struggles with: a robot butler who keeps taking his hat; a package wrapping machine; a robot nursemaid; an automated barber chair.
Donald Duck, delivery boy, is hired to deliver a mysterious package on Friday the Thirteenth. He is hindered by a bothersome black cat -- and by the fact that the package contains a live ... See full summary »
Pluto chases a kitten through a window and right into Mickey's lap. Mickey scolds him, and goes off to wash the kitten. Pluto falls asleep in front of the fire, and dreams of a hell ruled by cats where he is put on trial for all his crimes against cats and, of course, found guilty. Written by
Jon Reeves <firstname.lastname@example.org>
After being unfriendly to one cat too many, PLUTO'S JUDGEMENT DAY finally arrives via a vivid nightmare.
This is a fun little film, with some good imagination used to depict the Afterworld Court - staffed entirely by felines. Walt supplies Mickey's voice, who makes little more than a cameo appearance.
Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Bambi, Peter Pan and Mr. Toad. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.
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