| Binnie Hale | ... | Alice Bright | |
| Gordon Harker | ... | Sam Higgins | |
| Donald Calthrop | ... | David Owen | |
| Milton Rosmer | ... | Dr. Carey | |
| Ian Hunter | ... | Jim Pearce | |
| Herbert Lomas | ... | Claff Owen | |
| Reginald Tate | ... | Tom Evans | |
| Barry O'Neill | ... | Capt. Pearce | |
| Mickey Brantford | ... | Bob Peters | |
| Alice O'Day | ... | Mrs. Owen | |
| Fewlass Llewellyn | ... | Griffith Owen | |
| Edgar K. Bruce | ... | Sgt. Owen | |
| Louie Emery | ... | Station Mistress | |
| rest of cast listed alphabetically: | |||
| Anthony Holles | ... | Mr. Mason (uncredited) | |
| Ernest Jay | ... | Railway Worker (uncredited) | |
| John Singer | ... | Cabin Boy (uncredited) | |
Directed by | |||
| Michael Powell | |||
Writing credits(in alphabetical order) | ||
| Joan Roy Byford | play "The Haunted Light" | |
| Joseph Jefferson Farjeon | dialogue (as J. Jefferson Farjeon) | |
| Austin Melford | dialogue | |
| Evadne Price | play "The Haunted Light" | |
| Ralph Smart | scenario | |
Produced by | |||
| Jerome Jackson | .... | associate producer | |
| Michael Balcon | .... | producer (uncredited) | |
Original Music by | |||
| Charles Williams | (uncredited) | ||
Cinematography by | |||
| Roy Kellino | |||
Film Editing by | |||
| Derek N. Twist | (as D.N. Twist) | ||
Art Direction by | |||
| Alex Vetchinsky | (as A. Vetchinsky) | ||
Sound Department | |||
| A. Birch | .... | sound recordist | |
Music Department | |||
| Louis Levy | .... | musical director (uncredited) | |
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| Everybody Wins | I Confess | Number 17 | The House of Fear | Dial M for Murder |
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| Full cast and crew | Company credits | External reviews |
| IMDb Mystery section | IMDb UK section |
There's a nice undercurrent of comedy running through this otherwise standard mystery story. Set in a "haunted" lighthouse on the supposedly lonely Welsh coast, there seems to be a remarkable crowd of characters bumping into each other at every turn. The plot starts out promisingly with much talk of ghostly terror, but settles into a rather lame and predictable conclusion.
The local Welsh villagers are mercilessly satirized as dim-witted, inbred provincials, in contrast with the smarty pants Londoners who've dropped in to sort out this here ghostly nonsense. An apparently nymphomanic young blonde with no relevance to the story other than removing various items of clothing as things progress, adds to the sly humour.
There's lots of excellent location cinematography of craggy Welsh rocks and crashing waves to provide a suitably moody background.
Taking all these elements together, I came away mildly entertained, although not mentally stimulated. Good late night fun.