Loretta Dalrymple, a homely young country girl comes to New York City and gets a job as a chambermaid in a large hotel. She meets Ed Olson, a photographer out of work, and Dan Riley, a ... See full summary »
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Loretta Dalrymple, a homely young country girl comes to New York City and gets a job as a chambermaid in a large hotel. She meets Ed Olson, a photographer out of work, and Dan Riley, a promoter with nothing to promote. When an advertiser offers a reward for a photograph of 'America's Prettiest Girl,", Ed makes a composite photo of all the famous movie stars and society belles and calls the girl in his picture "Dawn Glory." A Dawn-Glory craze sweeps the country, and Loretta, with makeup and new clothes, turns out to be the reincarnation of the picture. Loretta has fallen in love with a newspaper picture of "Bingo" Russell, a famous aviator, and when Dan and Ed ask her to pose as Dawn Glory, she readily agrees, hoping she will get to meet Russell. She does meet him and, then, complications arise. Written by
Les Adams <firstname.lastname@example.org>
The original play opened in New York at the Mansfield Theater on 27 November 1934 and ran for 63 performances. See more »
Grend Central Terminal barker:
"Mohawk local arrival on plat 28. From Ipswich Falls, Waterbury, Watertown, Waterville, Elmira, Broken Arrow, Minnetonka, Harkensville, Dobbs Corner, New Paradise, and Red Hook.
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When William Randolph Hearst took his girlfriend Marion Davies and production company Cosmopolitan from MGM to Warner, he bought the best talent on the lot and ended up delivering one of the better films of his career. In the film, wannabe money makers (Pat O'Brien, Frank McHugh) decide to get some quick cash by forging a picture to win a contest for the best looking woman in America. They end up winning but to their horror the press starts to eat up the story of "Dawn Glory". When a reporter (Lyle Talbot) begins to get close to their scheme, they discover that the motel chambermaid (Davies) actually looks like the girl in the photo. This mistaken identity farce begins to lose a lot of steam during the final half hour but with this amazing cast there's really no going wrong here. This certainly isn't a classic movie or one that needs to be studied in film schools but if you're a fan of Davies or the wonderful supporting cast then you're in for a treat. Not only do we get Davies, O'Brien, McHugh and Talbot but we also have Dick Powell, Mary Astor, Allen Jenkins and Patsy Kelly. Kelly and Jenkins are pretty much underwritten characters but the rest get to do all their tricks and end up turning over plenty of laughs for the viewer. The most shocking thing is that Davies doesn't have the most to do in the film as she remains a supporting player throughout. This is just fine because when she is on the screen she really tears it up and she's the best as the dimwitted chambermaid who never really catches on to what's going on. O'Brien is his usual fast paced self and he works wonderfully well with McHugh, which shouldn't be too shocking since both men played perfectly well as the sidekicks to James Cagney in various Warner films. Astor nearly steals the film with another strong performance and Talbot delivers the good as well. People are always going to debate on whether Davies was a talented actress or just the mistress to the most powerful man in America but I think this film proves she could be good if given the right material and support around here. Again, this isn't a masterpiece but there's enough here for film buffs to really eat up.
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